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  <updated>2012-05-16T16:00:07Z</updated>
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  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1510185</id>
    <author>
      <name>João Machado</name>
    </author>
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    <issued>2012-05-16T17:00:07</issued>
    <title>Eurointelligence Daily Briefing, 16 de Maio de 2012. Enviado por Domenico Mario Nuti.</title>
    <published>2012-05-16T15:19:25Z</published>
    <updated>2012-05-16T15:19:25Z</updated>
    <category term="chipre"/>
    <category term="frança"/>
    <category term="agências de notação"/>
    <category term="banca"/>
    <category term="john kay"/>
    <category term="keynes"/>
    <category term="grécia"/>
    <category term="bce"/>
    <category term="ltro"/>
    <category term="espanha"/>
    <category term="berd"/>
    <category term="jean-marc ayrault"/>
    <category term="eurointelligence"/>
    <category term="mario nuti"/>
    <content type="html">&lt;div class="gmail_quote"&gt;
&lt;table&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;div class="saportecontainer saportepreserve" style="float: left;"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/joaompmachado/fotos/?uid=CRhAYdNgyE8lVRuhwqfS"&gt;&lt;img style="border: 0 none;" src="http://c4.quickcachr.fotos.sapo.pt/i/B46065ac6/12296952_nvYSd.jpeg" alt="" width="120" height="92" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;
&lt;h3&gt;&lt;span style="font-size: medium;"&gt;&lt;a href="http://www.eurointelligence.com/eurointelligence-news/home/singleview-restricted/article/greek-president-warns-of-a-bank-run-and-spains-spreads-top-500bp-for-the-first-time.html" target="_blank"&gt;Greek president warns of a bank run – and Spain’s spreads top 500bp for the first time&lt;/a&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;Greek parties fail in a last-ditch attempt to form a government;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;there will be new elections, most like June 17;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;decision followed an attempt by the Democratic Left to broker a deal, whereby ND and Pasok would renounce the promises they made in a letter to the EU;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;the Greek election campaign has already started, with centrist leaders trying to portray the poll as a vote for or against the euro;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;President Karolos Papoulias said he had been informed by the central bank governor that there was a danger of a bank run in Greece;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;statistics show that Greece have stepped up bank withdrawals since the elections;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;former Greek PM Costas Simitis says leaving the euro would be a disaster for Greece;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;the caretaker Greek government has decided to service the current tranches of Greek international law bonds;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;Cyprus has become the latest country to run into trouble with its banks, and is likely to request official help soon;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;Francois Hollande was inaugurated as president, takes off to Berlin, and tells Angela Merkel that he really wants to renegotiate the fiscal pact;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;he says the eurozone will miss its deficit targets without a stronger effort to raise growth;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;he said all options, including eurobonds, will have to be carefully considered;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;the German economy grew by 0.5% in Q1, helping the eurozone to achieve an overall rate of zero;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;but experts warn that the German performance is unlikely to be sustained as the global economy turns down;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;Hollande names the former German teacher Jean-Marc Ayrault as his prime minister;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;Michel Sapin and Pierre Moscovici are considered the most likely candidates for the finance ministry;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;the ECB and Germany are at loggerheads over what to do with the EFSF guarantees to the ECB during the Greek PSI;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;Spain wants to co-opt the ECB into its bank resolution strategy;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;five candidates are standing for the EBRD presidency, with the eurozone unable to announce its own candidate;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;Fitch says another LTRO is needed because banks will not have deleveraged in time to repay the old one;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;John Kay says economists’ notions of credibility was incompatible with democracy;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;Robert Skidelsky, meanwhile, wonders what Keynes would have done.&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;div&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Spain’s 10-year spread has risen to above 500bp this morning for the first time in the eurozone;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;The big news yesterday were the announcement of new elections in Greece, and the extraordinary statement by the Greek president that the country may already be subject to a run (something that can easily become a self-fulfilling prophecy). As we are writing our newsbriefing this morning, the Spanish 10-year rose to over 500 basis points for the first time. The eurozone crisis is once again in a highly acute phase.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Greece is likely to hold elections on June 17, after party leaders failed on Tuesday to agree on the formation of a government despite efforts by President Karolos Papoulias to broker a last-ditch deal. After barely two hours, the meeting was over. &lt;a href="http://ekathimerini.com/4dcgi/_w_articles_wsite1_25063_15/05/2012_442303" target="_blank"&gt;Kathimerini&lt;/a&gt; reports that Democratic Left leader Fotis Kouvelis had put forward a proposal to break the deadlock during the meeting. SYRIZA leader Alexis Tsipras had argued that it was impossible for his party to form a government with PASOK and ND as their leaders, Evangelos Venizelos and Antonis Samaras, had given the EU and IMF written pledges to keep to the terms of the loan deal. Kouvelis suggested this could be overcome by Venizelos and Samaras giving fresh pledges to back the new government’s efforts to negotiate a gradual disengagement from the EU-IMF bailout. But the proposal was not backed.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Almost immediately after the meeting, Greek party leaders were in front of cameras and supporters in spirited pre-election campaign mode.  "The message you sent is clear: 'Yes' to the euro, 'No' to those policies which devastate the Greek people," Reuters quotes Samaras.   New Democracy sources told Kathimerini that during the campaign Samaras would focus his attacks on Tsipras rather than Venizelos. The conservatives believe that they have to turn the campaign into the question of staying in the euro or returning to the drachma. They will attempt to convince voters that SYRIZA’s economic policies would lead to Greece having to leave the eurozone.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;Has the Greek president invited his countrymen to take part in a bank run?&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;He spoke the truth, but when it comes to the likelihood of bank run, you politicians to shut up.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;It emerged yesterday that George Provopoulos, head of the Greek central bank, told President Karolos Papoulias that Greeks have withdrawn as much as €700m and the situation could worsen,&lt;a href="http://www.bloomberg.com/news/2012-05-15/greek-president-told-banks-anxious-as-deposits-pulled.html" target="_blank"&gt;Bloomberg&lt;/a&gt; reports. “Provopoulos told me that of course there’s no panic but there’s great fear which can evolve into panic,” Papoulias said. The ECB needs to step in to guarantee the deposits of the regional lenders to fend off contagion, Yannis Ioannides, economics professor at Tufts University, told Bloomberg TV.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Leaving the euro would be a “catastrophe” for Greece, with the risk of a run on banks, former Greek Prime Minister Costas Simitis is cited by Bloomberg. Banks would have to close for at least three months while preparations, including printing a new currency, are made, Simitis said, citing the views of “experts.”&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;In another development, the caretaker government in Athens decided to service the interest payment on the holdouts. The government this is not a decision, merely an acknowledgement that it is not in a position to take a decision.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;strong&gt;Cyprus likely to tap the EFSF/ESM&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Cyprus’s banks sustained huge losses as a result of the Greek debt write-down, with the two biggest, Bank of Cyprus and Laiki now being called upon to proceed with significant recapitalization measures. Bank of Cyprus is already close to its goal, though Laiki is still quite far off the mark, as it needs €1.8bn in fresh capital. Newly appointed Finance Minister Vassos Shiarly said the government was ready to discuss ways in which it could contribute, if the need arises. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;A €2.5bn loan from Russia has largely covered Cyprus’s financial needs for 2012, but this money is insufficient to bolster the banking system as well if the need arises. But the fiscal deficit is already behind target and Shiarly had to announce new measures to keep the deficit below 2.5%.  Given these developments, the likelihood of Cyprus having to resort to a support mechanism to ensure the domestic banking system has the necessary capital is no longer just theoretical, writes&lt;a href="http://ekathimerini.com/4dcgi/_w_articles_wsite2_1_15/05/2012_442301" target="_blank"&gt;Kathimerini&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;strong&gt;Hollande insists that the fiscal treaty must be renegotiated&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;In his first meeting with Angela Merkel after being sworn in as president Francois Hollande insisted last night that the fiscal pact be “renegotiated”, &lt;a href="http://www.lesechos.fr/economie-politique/france/actu/0202064896655-croissance-merkel-estime-avoir-des-points-d-accord-avec-hollande-323721.php" target="_blank"&gt;Les Echos&lt;/a&gt; reports. According to the new French president the aim is “to integrate a growth dimension” into the treaty. “Our method is to put all ideas on the table and to see afterwards how they can be legally implemented”. By staying firm on his request to actually renegotiate the treaty that has already been ratified by several euro member states and not accept simply adding growth enhancing measures Hollande was tougher with the chancellor than many expected. But the president’s calculation appears to be that the chancellor is significantly weakened by her recent electoral defeats in state elections. Also Hollande warned “without growth we cannot respect the aims that we have fixed ourselves regarding the debt and the deficit”. As a candidate Hollande has repeatedly promised to bring the deficit to 3.0% in 2013 and to present a balanced budget by 2017. But the commission last Friday warned that without drastic additional measures the French deficit would be 4.2% next year.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;France trails Germany in terms of the growth rate&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;New Eurostat figures showed a considerable difference between France and Germany in terms of growth rates, &lt;a href="http://www.lefigaro.fr/conjoncture/2012/05/15/20002-20120515ARTFIG00842-croissance-la-france-a-la-traine-de-l-allemagne.php" target="_blank"&gt;Le Figaro&lt;/a&gt; reports. While Germany grew by 0.5% in Q1 of 2012 the French rate was 0% for the same period. Germany pushed up the eurozone growth to 0%. However, certain experts caution that the German rate is no precursor to strong and sustained growth in Germany. Italy’s economy shrank by 0.8% and Spain by 0.3% in Q1 2012 according to Eurostat.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;Hollande&lt;/em&gt; names Ayrault as prime minister&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Francois Hollande yesterday nominated the former the Socialist’s former chief whip in parliament Jean-Marc Ayrault prime minister, &lt;a href="http://abonnes.lemonde.fr/election-presidentielle-2012/article/2012/05/15/jean-marc-ayrault-construit-son-equipe-a-matignon_1701794_1471069.html" target="_blank"&gt;Le Monde&lt;/a&gt; reports. The nomination of the former German teacher who is considered to be a pragmatic social democrat will reassure those in Germany and Europe who had feared a traditional left wing politician such as the Socialist’s former chairwoman Martine Aubry. Hollande and Ayrault are working on the government portfolios which will be attributed and announced today. According to Les Echos the finance ministry will either go to Michel Sapin, a former finance minister already under Francois Mitterrand, or to Pierre Moscovici, a former Europe minister in Lionel Jospin’s government. The foreign ministry could go to former French prime minister Laurent Fabius or to Moscovici if he does not get finance. According to &lt;em&gt;Les Echos&lt;/em&gt;, Aubry may get a big ministry for education, research and culture.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;strong&gt;ECB and Germany fight about €35bn of guarantees&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;The ECB and Germany clashed in Monday night’s eurogroup meeting on what to do with €35bn of guarantees the EFSF had given to the ECB during the time of the Greek PSI, when the ECB was no longer able to accept Greek government bonds as collateral, &lt;a href="http://www.ftd.de/politik/europa/:euro-krise-ezb-und-deutschland-uneins-ueber-milliarden-sicherheitsleistungen/70037628.html" target="_blank"&gt;Financial Times Deutschland&lt;/a&gt; reports. Germany and the EFSF argue that the ECB should repay those guarantees since the PSI had been successfully implemented and only a handful of Greek bonds were still rated as selective default (SD). The ECB, however, refers to a treaty clause that says that it may keep the guarantees as some of the Greek SD bonds are still around. The ECB also argues that the uncertain situation requires keeping the guarantees. Germany thinks the ECB’s stance is “disproportionate” while the central bank says Germany is acting under pressure of the Bundestag.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;strong&gt;Spain involves ECB in bank programme&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;The Spanish government has become so desperate that it asked the ECB to get involved in the clean-up of the banking sector. &lt;a href="http://economia.elpais.com/economia/2012/05/15/actualidad/1337112371_629524.htm" target="_blank"&gt;El Pais&lt;/a&gt; said the decision was evidence that the markets are distrusting the government’s banking reform. Luis de Guindos confirmed that the ECB had “shown interest” (yeah, right). The markets, and apparently also the eurogroup, distrust the Spanish bank data, and the idea to involve the ECB is to give credence to the published data. &lt;em&gt;El Pais&lt;/em&gt; points out this exercise is likely to fail just as the previous government’s stress tests failed to bring calm to the markets. (We think the ECB should tread with caution here. If the ECB becomes part of a general exercise in obfuscation, it, too, gets tangled up in the markets’ distrust.)&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;strong&gt;Chaotic selection process of next EBRD president&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;According to &lt;a href="http://www.ftd.de/politik/deutschland/:wiederwahl-chaostage-bei-der-osteuropabank/70037594.html" target="_blank"&gt;Financial Times Deutschland&lt;/a&gt; the election of the next EBRD president is totally open. The euro and EU finance ministers were unable to agree on a common candidate on their meetings Monday and Tuesday. As a result there will be five European candidates at Friday’s vote of the 65 EBRD shareholders: Next to the outgoing German president Thomas Mirow, who was proposed by Russia and Bulgaria but who is not supported by his own government, there will be candidates from France, the UK, Poland and Serbia. Given that the victor has to have a double majority of 33 of the 65 national representatives and of the countries’ capital shares in the bank it is impossible to predict the outcome. Despite the fact that the EBRD is dominated by Europeans it may now be non-European shareholders such as the US, Russia or Australia who will effectively decide who will head the London based institution. Should Mirow win the vote it would be an embarrassment for Angela Merkel who may then face headwinds getting Wolfgang Schäuble accepted as the successor to Jean-Claude Juncker as the eurogroup’s chairman.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;strong&gt;Fitch wants another LTRO III&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Given that the LTRO has failed to solve the problem, as some naïve investors, and virtually all politicians had hoped, it comes as a surprise to us that Fitch now wants another one, at least according to Reuters. The article quotes an investors survey, and says that Fitch believes another round may be necessary because many banks will not have deleveraged in time for the repayment of the second LTRO. The survey says 38% of respondents thought a third LTRO would be necessary. Additionally, 25% of investors said they would not invest in any European senior  unsecured bank debt.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;strong&gt;John Kay says the economists’ notion of credibility is not compatible with democracy&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;This is a brilliant column by &lt;a href="http://www.ft.com/cms/s/0/5e53c1a4-9dd0-11e1-9a9e-00144feabdc0.html#ixzz1v0a0HYef" target="_blank"&gt;John Kay&lt;/a&gt;, who argues that the way economists and policymakers are defining credibility is not compatible with modern democracy:&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;„The elevation of credibility into a central economic doctrine has turned a sensible point – that policy stability is good for both business and households – into a dogma that endangers stability. The credibility the models describe is impossible in a democracy. Worse, the attempt to achieve it threatens democracy. Pasok, the established party of the Greek left, lost votes to the moderate Democratic Left and more extreme Syriza party because it committed to seeing austerity measures through. Now the Democratic Left cannot commit to that package because it would lose to Syriza if it did. The UK’s Liberal Democrats, by making such a deal, have suffered electoral disaster. The more comprehensive the coalition supporting unpalatable policies, the more votes will go to extremists who reject them.“&lt;/span&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;strong&gt;Robert Skidelsky on what Keynes what have done&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;In a commentary in the &lt;em&gt;FT&lt;/em&gt;, &lt;a href="http://www.ft.com/intl/cms/s/0/55d094cc-9e74-11e1-a24e-00144feabdc0.html#axzz1uueyMKoe" target="_blank"&gt;Robert Skidelsky&lt;/a&gt; compares the austerity policies of the EU with the Versailles Treaty. He has dug out a quote by Keynes: “If they do sign, they can’t possibly keep some of the terms, and general disorder and unrest will result everywhere.” He says that there is solution to the eurozone crisis without growth.  This might mean debt restructuring, or project bonds, or both, but it has to be done. On Greece, he said, an exit with a controlled devaluation, cannot be avoided.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;strong&gt;10-Y Spreads, Forex, ZC Swaps and Euribor-Ois&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Still getting worse. Euro now at $1.27, Spanish spreads approach 5%.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
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&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td colspan="2" valign="top" width="188"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;10-year spreads&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Previous day&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Yesterday&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;This Morning&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;France&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.375&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.436&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.452&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Italy&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;4.415&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;4.690&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;4.690&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Spain&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;4.796&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;4.902&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;4.958&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Portugal&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;9.660&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;9.979&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;10.176&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Greece&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;26.569&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;28.465&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;#VALUE!&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Ireland&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;5.545&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;5.897&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;6.115&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Belgium&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.889&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.921&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.958&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;Bund Yield&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;1.456&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;1.468&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;1.468&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td colspan="2" valign="top" width="188"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;Euro Bilateral Exchange Rate&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Previous&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;This morning&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Dollar&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.286&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.2717&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Yen&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;102.720&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;102.19&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Pound&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;0.799&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;0.7963&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Swiss Franc&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.201&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.2009&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td colspan="2" valign="top" width="188"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;ZC Inflation Swaps&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;previous&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;last close&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1 yr&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.8&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.81&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;2 yr&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.75&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.75&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;5 yr&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.84&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.83&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;10 yr&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;2.01&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;2&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td colspan="2" valign="top" width="188"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Euribor-OIS Spread&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;previous&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;last close&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1 Week&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;-7.700&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;-7.7&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1 Month&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;-0.650&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;0.15&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;3 Months&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;28.707&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;28.407&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1 Year&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;97.664&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;97.664&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td colspan="2" valign="top" width="188"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;Source: Reuters&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;/div&gt;
&lt;p&gt; &lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1497438</id>
    <author>
      <name>Carlos Loures</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1497438.html"/>
    <issued>2012-05-16T16:00:20</issued>
    <title>EM COMBATE - 60 - por José Brandão</title>
    <published>2012-05-14T13:04:14Z</published>
    <updated>2012-05-16T07:49:26Z</updated>
    <category term="angola"/>
    <category term="josé brandão"/>
    <category term="guerra colonial"/>
    <category term="em combate"/>
    <content type="html">&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;img style="border: 0px currentColor;" src="https://encrypted-tbn1.google.com/images?q=tbn:ANd9GcQ7pkPFzAIzV09PKl-ewLWALz5ZS_pLogZ-e5TrHZDKNl9d8OZ2lA" alt="" width="500" height="386" /&gt;&lt;/div&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;«Ambrizete foi a última localidade onde pernoitámos antes de seguir para o Lufico. A viagem até aí não se me havia apresentado carregada de perigos. Eram os benefícios da ignorância, apesar de tudo.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;div class="saportecontainer saportepreserve" style="float: right;"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/carlosloures/fotos/?uid=JJmOnkZvFWj2iLVasDp4"&gt;&lt;img style="border: 0px currentColor;" src="http://c9.quickcachr.fotos.sapo.pt/i/Bc909774b/12294892_lVFFb.jpeg" alt="" width="257" height="325" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Mas foi na missão de Ambrizete que um dos oficiais, já com a sua farda amarelada indiciadora da sua veterania, melhor dizendo, do fim da sua comissão de serviço, ao saber do meu destino, me deu uma pancadinha nas costas e desejou-me muita sorte. Aí, aqueles meus apêndices esféricos que nos homens são referências de masculinidade e "portanto" de fortaleza, reduziram-se à sua ínfima dimensão. Não sei se inconscientemente levei as mãos ao sítio para comprovar a situação.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Dia seguinte, depois de organizada a coluna na qual se incorporavam alguns elementos da população civil, mormente mulheres e crianças, lá seguimos. A presença daqueles civis proporcionou-me alguma calma. Com os diabos: se eles ali iam, até bem-humorados alguns...&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Mas em Ambrizete, por muito curta que tenha sido a paragem, tinham ficado os meus olhos e a minha ilusão. Em Luanda já me tinha apercebido da força telúrica de África, porém a pequenez daquela povoação à beira Atlântico e a promessa de uma vida calma ao compasso da natureza, deixou-me completamente subjugado. Até a sonoridade do seu nome; Ambriz já soava bem, mas Ambrizete, nome de mulher, um regaço tranquilo, uma promessa de amor na praia, uma refeição de marisco ou peixe, eu sei lá. Seria o meu espírito a querer esconjurar os medos que trazia comigo?&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Durante a comissão passei em Ambrizete não mais do que três vezes. Numa delas instalei-me no hotel. O quarto em que pernoitei tinha uma imprescindível, estética e ecológica rede mosquiteira. Desfrutei de um belo passeio à beira mar e da comida do hotel.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Havia uma peculiar atmosfera social naquele hotel. Creio que todos os quartos se situavam no andar superior e no rés-do-chão o salão do restaurante e bar. Uma senhora já na terceira dezena de anos vividos, que creio era a dona, deambulava pelo salão dando as boas vindas aos comensais, quase todos militares vindos do "puto", deslocados do seu habitual meio social. Creio que era apelidada de "madrinha", provavelmente à semelhança das madrinhas de guerra que apoiavam muitos dos militares em comissão de serviço naquelas e outras paragens de África. Entravam e saíam fardas. Além de hotel era também o clube social do sítio.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Um encontro com dois agentes da PIDE que tinham estado no Lufico, sem que eu me tivesse apercebido da razão da sua estada, conduziu-me às instalações daquela polícia. Aí compreendi a razão do convite: apresentaram-me um farrapo humano correspondente ao que tinha sido um assalariado na nossa companhia no Lufico. Tinha a alcunha de Kit Carson. Tinha sido relacionado com uma emboscada, ocorrida, salvo erro, num troço da estrada entre Ambrizete e Ambriz, a uma brigada da Junta de Estradas. Para lhe sacar informações tinham-no deixado de rastos. Eu, naquela situação teria confessado que o sol é quadrado e que o Papa era uma mulher... Agarrou-se a mim como se eu fosse o Cristo e ele o paralítico do episódio bíblico. E eu nada fiz, senão estender-lhe a mão. &lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Paralisei. Nem me lembro se equacionei os benefícios que eu próprio poderia sacar da actividade policial, na medida em que as hipóteses da minha intervenção bélica ficariam bastantes reduzidas.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Aos agentes interessava que eu registasse a eficiência da acção da polícia para segurança das forças armadas portuguesas em luta contra as forças independentistas, na época simplesmente apelidadas de terroristas. Registada ficou. O que não apurei foi se o Kit Carson realmente estava implicado na emboscada ou se os agentes tiveram necessidade de apresentar serviço»&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;em&gt;&lt;span style="font-size: medium;"&gt;João Rego&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1509216</id>
    <author>
      <name>João Machado</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1509216.html"/>
    <issued>2012-05-16T15:00:27</issued>
    <title>O GARDEN- PARTY, de KATHERINE MANSFIELD - X</title>
    <published>2012-05-16T12:28:08Z</published>
    <updated>2012-05-16T12:28:08Z</updated>
    <category term="um café na internet"/>
    <category term="conto"/>
    <category term="katherine mansfield"/>
    <content type="html">&lt;p&gt;&lt;span style="font-size: large; color: #008000;"&gt;&lt;strong&gt;Um Café na Internet&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;div class="saportecontainer saportepreserve" style="float: left;"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/joaompmachado/fotos/?uid=6AHzCsWnJZqcfPupuqLK"&gt;&lt;img style="border: 0 none;" src="http://c1.quickcachr.fotos.sapo.pt/i/Bb40630ce/12295588_9Pq8z.jpeg" alt="" width="161" height="123" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p id="SAPORTECursorMarker4297"&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: small;"&gt;&lt;em&gt;(continuação)&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;E uma tarde perfeita amadureceu lentamente, lentamente se foi apagando, lentamente fecharam-se as suas pétalas.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;― Nunca um garden-party foi tão delicioso… ―, ― O maior acontecimento…―, ― Foi  mesmo o máximo…&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Laura ajudou a mãe nas despedidas. Ficaram lado a lado no alpendre até tudo ter acabado.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;― Acabou tudo, finalmente, graças a Deus, ―disse a Senhora Sheridan. ― Junta os outros e vamos tomar um café acabado de fazer. Estou exausta. Pois, correu tudo muito bem. Mas estas festas, estas festas! Porque é que, miúdas, insistem em dar festas! ― E foram todos sentar-se debaixo do toldo deserto.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;― Querido papá, come uma sanduíche. Fui eu que fiz o letreiro.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;― Obrigado. ― O Senhor Sheridan deu uma dentada e a sanduíche foi-se. Pegou noutra. ― Suponho que não ouviram falar de um acidente brutal que aconteceu hoje? ― perguntou.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;― Meu querido, ― disse a Senhora Sheridan, levantando a mão, ― ouvimos. Quase estragou a festa. A Laura insistia em que a suspendêssemos.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;― Oh, mãe! ― Laura não queria que a arreliassem com o assunto.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;― Foi um acontecimento horrível de qualquer modo, ― disse o Senhor Sheridan. ― O fulano ainda por cima era casado. Morava mesmo aqui em baixo na travessa, e deixa viúva e meia dúzia de garotos, ao que contam.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Caiu um silêncio pesado. A Senhora Sheridan abanicava a chávena. Realmente, era cá uma falta de tacto do pai…&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;De súbito, olhou em frente. Sobre a mesa restavam por comer sanduíches de todos os tipos, bolos, bombas. Iam ser deitados fora. Teve uma das suas ideias brilhantes.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;― Já sei. ― disse. ― Vamos arranjar um cesto. Vamos enviar àquela pobre criatura alguma desta comida em perfeito estado. Seja como for, será o melhor regalo para as crianças. Não acham? E com certeza que ela tem lá vizinhos a visitá-la, fora o resto. Que bom ter coisas já prontas para comer. Laura! ― Levantou-se com um pulo. ― Vai buscar o cesto grande ao armário da escada.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;― Mas, mãe, acha que é boa ideia? perguntou Laura.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Como era curioso que, mais uma vez, ela se sentisse diferente de todos os outros. Levar migalhas da festa. Será que a pobre mulher iria gostar?&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;― Claro que sim! Que se passa contigo hoje? Há uma hora ou duas insistias em que devíamos ser simpáticos, mas agora….&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Está bem! Laura foi a correr buscar o cesto. A mãe encheu-o até cima. &lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;em&gt;(continua)&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1509389</id>
    <author>
      <name>Carlos Loures</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1509389.html"/>
    <issued>2012-05-16T14:29:35</issued>
    <title>VAMOS AO CINEMA -3 </title>
    <published>2012-05-16T13:29:55Z</published>
    <updated>2012-05-16T13:29:55Z</updated>
    <content type="html">&lt;p style="text-align: center;"&gt; &lt;/p&gt;
&lt;p style="text-align: center;"&gt; &lt;/p&gt;
&lt;p style="text-align: center;"&gt;&lt;span style="font-size: xx-large;"&gt;&lt;strong&gt;OS NOVOS MONSTROS (2)&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: center;"&gt; &lt;/p&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;img style="border: 0px currentColor;" src="http://img.weburbanist.com/wp-content/uploads/2011/05/date-night-615.gif" alt="" width="500" height="232" /&gt;&lt;/div&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;strong&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/strong&gt;
&lt;div class="saportecontainer saportepreserve" style="float: right;"&gt;&lt;img style="border-width: 0px;" src="http://t0.gstatic.com/images?q=tbn:ANd9GcTOLn4u9Bh8GinYS7xUK2xbJwHynZgKJ2x6q7s_2LcljxJHa5MP" alt="" width="200" height="197" /&gt;&lt;/div&gt;
&lt;strong&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/strong&gt;
&lt;p id="SAPORTECursorMarker2052"&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="color: #000000; font-size: xx-large;"&gt;&lt;strong&gt;                       VAMOS AO CINEMA&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1477450</id>
    <author>
      <name>Carlos Loures</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1477450.html"/>
    <issued>2012-05-16T14:00:35</issued>
    <title>A SAÚDE EM PORTUGAL – por Raúl Iturra</title>
    <published>2012-05-11T06:37:39Z</published>
    <updated>2012-05-16T07:59:02Z</updated>
    <category term="sns"/>
    <category term="etnopsicologia"/>
    <category term="raúl iturra"/>
    <content type="html">&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;No nosso país há, pelos menos, três grandes pilares da sociedade em que muito ainda há para melhorar, a saber: a educação, a justiça, a crise financeira e o atendimento na saúde pública. É sobre este último, o atendimento na saúde pública, que hoje escrevo.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;O Estado português implementou, após o 25 de Abril, o Sistema Nacional de Saúde para atender todos os utentes que dele necessitassem. O princípio é, na minha opinião, de louvar, contudo, diz-nos a prática, muito há para melhorar, sobretudo ao nível organizacional e de gestão dos recursos materiais e humanos. Por exemplo, tenho constatado que para se obter uma consulta no próprio dia nos Centros de Saúde, os utentes, ditos doentes, começam a aparecer de madrugada, pelas 5 horas, permanecendo no exterior até às 9 da manhã, hora de abertura dos serviços, esperando por uma senha que lhes permita ter acesso ao médico. Os médicos dos Centros de Saúde, refiro-me ao concelho em que habito, aparecem perto do meio-dia e nem têm tempo para ver e tratar todas as pessoas da fila multitudinária, que espera um dia e outro, vão-se embora e regressam de novo na madrugada seguinte para mais umas horas de espera ao relento, com a esperança de, desta vez, terem senha. Ora, esta organização é propícia ao aparecimento de «esquemas» como tenho observado, há pessoas que vendem as suas senhas, outras que pagam a quem as gere, para poderem entrar. Triste espectáculo!&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;E nos hospitais? Somos atendidos pelos melhores licenciados em medicina, mas, infelizmente, são poucos para tanto público. Ser atendido num hospital pode demorar de três a cinco horas, para cinco minutos de atenção. &lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Atenção, por vezes, extremamente simpática, como me tem acontecido, mas outras muito classistas.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Os favores e trocas existem entre o pessoal hospitalar. É preciso um troco de simpatias, uma invenção, para sermos atendidos pelo sistema público. Nem falar do privado. Um exame que custa no sistema privado 250€, no público paga-se 2€ 35 cêntimos, o correspondente à taxa moderadora. Com a crise económica que vivemos, quem pode pagar a importância pedida pelo privado?&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Há dias, num hospital público, observei mais de 300 utentes à espera de serem chamados, corredores cheios de pessoas, para os poucos médicos que entregam a sua saúde, saber e serenidade aos pacientes espalhados por todos os hospitais do país.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Comentava este assunto com a minha mulher, e ela, que bem conhece Portugal, disse-me que, independentemente das horas de espera, temos a garantia de sermos observados e tratados, caso seja necessário, nos hospitais públicos e nos centros de saúde, sem haver qualquer constrangimento com seguros, como por exemplo acontece nos EUA.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Admiro as senhoras e senhores médicos. Moram o dia inteiro em prédios que são hospitais, mal pintados, sem lugares para descansar. Bem como a simpática atenção de médico a utente. &lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Há os que entram no sistema privado. Há os que entregam o seu patriotismo à nacionalidade trabalhando em péssimas condições.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Há os que utilizam abusivamente o Sistema Nacional de Saúde e há, ainda, os que se entregam à Nossa Senhora de Fátima… Faltam-nos os que «olhem» para os serviços de saúde em Portugal pensando-o num todo, desburocratizando-o e moralizando-o, isto é, as parcerias com o Ministério de Educação são urgentes, para ensinarmos os mais jovens a utilizar correctamente um bem tão precioso como é o Sistema Nacional de Saúde.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Eu, como Etnopsicólogo, faço destas esperas intermináveis, trabalho de observação participante…&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;A seguir -  Confiança&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1508925</id>
    <author>
      <name>João Machado</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1508925.html"/>
    <issued>2012-05-16T13:30:52</issued>
    <title>Eurointelligence Daily Briefing, 15 de Maio de 2012. Enviado por Domenico Mario Nuti.</title>
    <published>2012-05-16T12:15:34Z</published>
    <updated>2012-05-16T12:44:02Z</updated>
    <category term="françois hollande"/>
    <category term="crise financeira"/>
    <category term="mudança"/>
    <category term="eleições na alemanha"/>
    <category term="banca"/>
    <category term="mario nuti"/>
    <category term="eurointelligence"/>
    <content type="html">&lt;div class="gmail_quote" style="text-align: justify;"&gt;
&lt;blockquote class="gmail_quote"&gt;
&lt;table&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;div class="saportecontainer saportepreserve" style="float: left;"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/joaompmachado/fotos/?uid=496BeehfpF57TZ0YyZZs"&gt;&lt;img style="border: 0 none;" src="http://c5.quickcachr.fotos.sapo.pt/i/Bdf060bcf/12295497_QgJ9K.jpeg" alt="" width="120" height="92" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;
&lt;h3&gt;&lt;span style="font-size: medium;"&gt;&lt;a href="http://www.eurointelligence.com/eurointelligence-news/home/singleview-restricted/article/worse-than-lehman.html" target="_blank"&gt;Worse than Lehman&lt;/a&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;The financial crisis has returned in full force, with Spanish spreads now at a new record;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;markets were yesterday fretting simultaneously about a Greek exit, and a Spanish banking meltdown;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;German bunds hit lowest yield in history;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;euro fells below $1.29;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;El Pais&lt;/em&gt; writes that eurogroup did not rule out an EFSF programme for Spain;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;in Greece, President Karolos Papoulias is now proposing a technical government;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;but Syriza has already rejected the proposal;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;another meeting of party leaders and the president is due to take place at 2pm today;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;Jean-Claude Juncker said the most one could expect is a promise to extend some of the austerity deadlines, but there can be no change to programmes itself;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;the Dutch finance minister admits his government has conducted an impact study of a Greek exit;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;BVVA writes in a submission to the SEC that the situation for eurozone banks is much worse now than after Lehman;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;Jim Flaherty, Canada’s finance minister, says the eurozone should either show solidarity or dissolve;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;after the election defeat Angela Merkel is under pressure to adopt a more conservative stance (not a good time, given where the crisis is going);&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;party is nervous, as public support is falling to a level of below one-third;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;Bild&lt;/em&gt; doubts that Merkel still has the authority to lead;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;Le Monde&lt;/em&gt; says the SPD’s victory in North-Rhine Westphalia would strength Francois Hollande’s negotiating position;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;a majority of Germans oppose measures to support economic growth in the eurozone;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;a poll in France shows that two thirds are in favour of fiscal consolidation;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;the SPD sets conditions for its approval of the fiscal pact;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;Stefan Collignon argues for a genuine growth pact that ends the inherent pro-cyclicality in the eurozone’s fiscal policies;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-size: medium;"&gt;Philippe Aghion, meanwhile, says Hollande’s 75% tax will be reversed and that Merkel has nothing to worry about.&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;div&gt;
&lt;h1&gt;&lt;span style="font-size: medium;"&gt;Eurointeligence Comment and Analysis&lt;/span&gt;&lt;/h1&gt;
&lt;div&gt;
&lt;h3&gt;&lt;span style="font-size: medium;"&gt;&lt;a href="http://www.eurointelligence.com/eurointelligence-news/comment/singleview/article/president-hollande-should-propose-an-ambitious-growth-and-integration-agenda-for-the-eurozone.html" target="_blank"&gt;President Hollande Should Propose an Ambitious Growth and Integration Agenda for the Eurozone&lt;/a&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;by Bernard Delbecque&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div&gt;&lt;span style="font-size: medium;"&gt;Eurozone governments should agree to stop taking new austerity measures in 2011 and define next year’s budgetary consolidation in terms of structural measures and not in terms of specific reduction in deficit and debt ratio.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;And they thought they had two years to solve the crisis after the LTRO…&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;The crisis is back at the acute point last November, when spreads spiralled out of control. Spanish spreads are at a record 4.8% this morning. Italian spreads are 4.5%. And the yield on the bund reached another all-time low of 1.459%. The euro broke below $1.29.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;The markets yesterday panicked about Spain and Greece simultaneously. Spain has come under pressure to join the EFSF during a eurogroup meeting, while the political standoff  in Greece remains unresolved.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;On Spain, &lt;a href="http://economia.elpais.com/economia/2012/05/14/actualidad/1337028149_290633.html" target="_blank"&gt;El Pais&lt;/a&gt; has details from yesterday’s eurogroup meeting where Spain came under pressure over the banks, as Jean-Claude Juncker asked the question whether Spain had sufficient resources to help its banks. El Pais said the meeting did not rule out a future of EFSF/ESM programme for the country. In the meantime, the Spanish economy minister Luis de Guindos was asked to step up the efforts to clean up the banking sector. (Last Friday’s measures were clearly seen as insufficient).&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;In Greece president Karolos Papoulias will ask politicians on Tuesday to stand aside and let a government of technocrats steer the nation away from bankruptcy, but leftists have already rejected the proposal and look set to force a new election they reckon they can win, &lt;a href="http://www.reuters.com/article/2012/05/14/greece-idUSL5E8GEJ8A20120514" target="_blank"&gt;Reuters&lt;/a&gt;reports. Party leaders, deadlocked since a parliamentary vote nine days ago, will convene at the presidential palace at 2pm but said they had little hope President Karolos Papoulias's offer would resolve a political crisis.  SYRIZA spokesman said "We will attend the meeting. But we are sticking to our position. We don't want to consent to any kind of bailout policies, even if they are implemented by non-political personalities". If supporters and opponents of the bailout cannot agree a government, the head of state must call a new election in June.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;At the eurogroup meeting, Jean-Claude Juncker said a new Greek government could potentially raise the question of extending deadlines to meet some of its austerity targets, as long as it was still firmly committed to them.  He called speculation of a Greek exit as “propaganda and nonsense”. The Dutch finance minister confirmed yesterday that his government had specifically looked at a Greek exit scenario, according to Reuters. “But it is not the policy of Europe”, he hastened to add.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;BBVA said financial crisis in Europe now worse than after Lehman Brothers&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;a href="http://economia.elpais.com/economia/2012/05/14/actualidad/1336995907_924156.html" target="_blank"&gt;El Pais&lt;/a&gt; has the story that BBVS, in its annual submission to the SEC, has written that the eurozone debt crisis is now worse than the banking crisis that followed the collapse of Lehman Brothers in 2008. He said the banking crisis plus austerity would result in downward revisions for economic growth. The submission said that concerns about the health of financial institutions was now more intense than after Lehman, as governments and banks have lost access to funding.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;strong&gt;Canada’s finance ministers says: eurozone should bail-out to split up&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Seen from the outside, some things seem clearer. Canada’s finance minister Jim Flaherty put it well when he outlined the stark choice the eurozone is facing. This is according to CBC television, as quoted by Reuters:&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;"This is a time of crisis in the euro zone. The whole future of the euro zone is up for grabs, and this is very important for many of the euro zone member countries, given the history of Europe in the last 100 years or so… So they have to show courage. They have to do the right thing, use some of their taxpayers' money to bail out some of the weaker members of the euro zone - or start moving away from the euro zone and just say this was an experiment that has not worked." &lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;strong style="font-size: medium; text-align: justify;"&gt;Merkel under pressure to change course after electoral defeat&lt;/strong&gt;&lt;span style="text-align: justify;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;After the CDU’s severe defeat in the Northrhine-Westphalia state elections Angela Merkel is coming under increasing pressure to sharpen the conservative profile of her party. The chancellor’s coalition partner Horst Seehofer, Barvaria’s prime minister and chairman of the CSU said that he was not ready “to just go back to business as usual” after the defeat, the &lt;em&gt;Süddeutsche Zeitung&lt;/em&gt; reports. He cited an argument about a state handout for young parents and the decision to get out of nuclear energy as topics that alienated more conservative voters. The result was “a political catastrophe”. There was also severe criticism of the CDU’s top candidate Norbert Röttgen, who is also Merkel’s environment minister and a protégé of the chancellor. In an internal meeting leading CDU politicians argued that the party needed to be worried because it had managed “to organize a two-thirds-majority” against itself.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;strong&gt;&lt;em&gt;Bild doubts Merkel still has the authority to lead&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;The &lt;a href="http://www.bild.de/politik/inland/angela-merkel/fehlt-ihr-die-kraft-24149462.bild.html" target="_blank"&gt;mass market daily Bild&lt;/a&gt; asks whether Merkel is “lacking the power” to impose her views as the chancellor of Germany. The paper that is traditionally very close to Merkel cites five major setbacks she has suffered recently and that undermined her authority, among them the fact that Joachim Gauck was imposed on her by a blackmail of the FDP, her junior coalition partner and the fact that Röttgen refused to clearly state whether or not he was willing to relinquish his ministerial post in Berlin to go to Northrhine-Westphalia as an opposition leader in case of a defeat as Merkel had requested him to do.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;strong&gt;&lt;em&gt;Le Monde argues the SPD’s victory strengthens Hollande in his arm twisting with Merkel&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;I a front page editorial &lt;a href="http://abonnes.lemonde.fr/a-la-une/article/2012/05/14/coup-de-semonce-pour-angela-merkel_1700825_3208.html" target="_blank"&gt;Le Monde&lt;/a&gt; the SPD’s clear victory reinforces Francois Hollande when he today meets Angela Merkel for difficult negotiations on the fiscal pact and growth measures for Europe. “Hollande has taken over the role of the spokesman of a strategy to rekindle growth in order to get out of the euro crisis while Merkel gives priority to cleaning up the budgets which according her is the precondition for ‘sustainable growth’. Hollande’s victory and the ideas he defends have given rise to considerable expectations in other EU countries confronted with the debt crisis including to parts of the SPD on the other side of the Rhine. Merkel knows that Sunday’s electoral setback is an additional incentive for her to loosen her position on the question of a growth pact.” However Le Monde cautions not to over-interpret the elections in North-Rhine-Westphalia. According to the paper Merkel’s insistence on sound public finances continue to be very popular in Germany. “According to a poll published by the Stern magazine 59% of the Germans are hostile to growth support measures that would lead to additional debt.”&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;strong&gt;SPD details conditions for its support of the fiscal pact&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;The three hopefuls for the role as the SPD’s challenger to Angela Merkel in the next federal election have published a common paper to outline their condition for support of the fiscal pact in the parliamentary ratification procedure, Süddeutsche Zeitung reports. Sigmar Gabriel, Frank-Walter Steinmeier and Peer Steinbrück insist that banks be held more strictly accountable when speculative deals turn sour and that the bank’s retail and investment activities be separated. Also the three ask that a European banking authority sees to it that the banks support more strongly the real economy and that a European rating agency be established. The three also ask to dedicate existing EU funds to the fight against unemployment and youth unemployment. Lastly they suggest to create a common liability for all debt of euro member states exceeding 60% of GDP if the state in question agrees to submit to a binding debt reduction program in exchange. The SPD insists the plan was drawn up in close coordination with Francois Hollande whom Angela Merkel meets today.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;strong&gt;Two thirds of the French support cutting government spending in France&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;According to a poll done by &lt;em&gt;OpinionWay&lt;/em&gt; 60% of the French would support cutting government in France in order to enhance growth,&lt;em&gt; Les Echos&lt;/em&gt; reports. Cutting government spending is thus the means the French think is by far the most efficient way to get the economy back on track with only 29% favouring decreasing the tax burden on companies, the paper explains. France has one of the highest rates in government spending in relation to GDP in Europe. Nevertheless Francois Hollande has not promised to cut that level down during his election campaign. Instead he has pledget to raise a number of taxes with a 75% tax on the wealthiest French being the landmark measure.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;span style="text-align: justify;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;strong&gt;Collignon: Time for a real political change&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;The verdict of the elections in France, Greece and North Rhine Westphalia is clear: citizens rejected the idea that austerity alone will reduce public debt, writes Stefan Collignon in &lt;em&gt;Die Zeit&lt;/em&gt;.  Francois Hollande wants a growth pact alongside the fiscal pact, a ‘no’ in the Irish referendum could help him. But what is needed is a real political change. A growth strategy that does not shy away of stimulus programmes in a recession. A study by Centro Europa Ricerche showed that a 1% stimulus package in Greece could increase GDP growth by 2pp and reduce public debt by 4pp, and EU investment programmes could stabilize the European economy. A second element of this growth strategy is a fiscal pact that prevents pro-cyclical budget policy. In the end we need a European economic policy, with a European government with a European finance minister accountable to the European citizens rather than blocked by vetoes of member states. Europe is not private property of the states, it belongs to its citizens.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;strong&gt;Aghion: No time for a real political change&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;This is a deeply depressing column for anybody who hopes that President Hollande is going to make any difference at all. It is from Philippe Aghion, his economic adviser. Aghion says that Merkel has nothing to worry about, as Hollande fully agrees with everything on virtually everything. The 75% tax is a suck to the left is likely to be temporary. And Hollande is the first Socialist to have dumped Keynesianism. He is a convinced supply-sider.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;strong&gt;10-Y Spreads, Forex, ZC Swaps and Euribor-Ois&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Carnage all over.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;table border="0" cellspacing="0" cellpadding="0"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td colspan="4" valign="top" width="374"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;strong&gt; &lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td colspan="2" valign="top" width="188"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;10-year spreads&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Previous day&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Yesterday&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;This Morning&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;France&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.288&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.375&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.387&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Italy&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;4.163&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;4.530&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;4.527&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Spain&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;4.511&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;4.796&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;4.833&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Portugal&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;9.520&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;9.660&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;9.879&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Greece&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;23.435&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;26.569&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;#VALUE!&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Ireland&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;5.428&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;5.545&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;5.735&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Belgium&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.780&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.889&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.916&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;Bund Yield&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;1.518&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;1.456&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;1.459&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td colspan="2" valign="top" width="188"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;Euro Bilateral Exchange Rate&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Previous&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;This morning&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Dollar&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.288&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.2827&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Yen&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;103.100&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;102.46&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Pound&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;0.802&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;0.7971&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Swiss Franc&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.201&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.2007&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td colspan="2" valign="top" width="188"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;ZC Inflation Swaps&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;previous&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;last close&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1 yr&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.84&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.8&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;2 yr&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.78&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.75&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;5 yr&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.85&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.84&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;10 yr&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;2.15&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;2.01&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td colspan="2" valign="top" width="188"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Euribor-OIS Spread&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;previous&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;last close&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1 Week&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;28.307&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;28.407&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1 Month&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;3 Months&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1 Year&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td valign="top" width="92"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="96"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td colspan="2" valign="top" width="188"&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;Source: Reuters&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="98"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;td valign="top" width="88"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;/blockquote&gt;
&lt;/div&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1504612</id>
    <author>
      <name>João Machado</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1504612.html"/>
    <issued>2012-05-16T13:00:30</issued>
    <title>A crise na Europa, a crise em Madrid, a crise de um sistema: olhares sobre Espanha</title>
    <published>2012-05-15T18:49:31Z</published>
    <updated>2012-05-15T18:49:31Z</updated>
    <category term="spanair"/>
    <category term="júlio marques mota"/>
    <category term="espanha"/>
    <category term="consumidores"/>
    <category term="joaquín arriola"/>
    <content type="html">&lt;p style="text-align: justify;" align="center"&gt;&lt;span style="color: #993300;"&gt;&lt;strong&gt;&lt;span style="font-size: medium;"&gt;Selecção de Júlio Marques Mota&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="color: #993300;"&gt;&lt;strong&gt;&lt;span style="font-size: medium;"&gt;16. Soberanos sometidos&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;table border="1" cellspacing="0" cellpadding="0"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td valign="top" width="576"&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;La quiebra (se supone) de Spanair no es muy diferente de la insolvencia de tantas entidades bancarias, de la pasividad de los gobiernos ante la burbuja de activos &lt;/span&gt;&lt;span style="font-size: medium;"&gt;inmobiliarios y financieros, o de la irresponsabilidad en la gestión de ingresos y gastos públicos.&lt;/span&gt;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Joaquin Arriola&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;UNO de los mitos más perdurables de la sociedad contemporánea es el de la soberanía del consumidor. Comprar o no comprar, esta es la cuestión del hombre moderno, su fuerza y su destino. Se dice que son los compradores  quienes determinan el ritmo de la economia y a su llamada obedecen los vendedores, como los niños ante la música del flautista de Hamelin. Como ocurre con todos los mitos, también en este hay un rastro de verdad, oculta por presentarse tras una inversión de la realidad. Es verdad que los vendedores están a merced de los compradores. Pero los vendedores reales no son lo que están detrás del mostrador, sino la mayoría de los ciudadanos que para vivir tienen que comprar, pero para poder comprar primero tienen que vender su capacidad de trabajar en el mercado (de alquiler) de trabajo.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Los verdaderos compradores soberanos son pues los que compran trabajo, máquinas y &lt;/span&gt;&lt;span style="font-size: medium;"&gt;suministros, organizan el proceso de producción para vender los bienes y servicios &lt;/span&gt;&lt;span style="font-size: medium;"&gt;allí generados y realizar, con la venta, unas ganancias. En elmundo real, los que venden &lt;/span&gt;&lt;span style="font-size: medium;"&gt;para comprar y compran para consumir son los auténticos plebeyos de la economía sometidos al albur de las decisiones de los compradores-productores soberanos.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Por eso, cuando los que compran para vender deciden, por ejemplo, cerrar una línea &lt;/span&gt;&lt;span style="font-size: medium;"&gt;aérea, los que han comprado (sus billetes) para viajar (consumir) se convierten en zom&lt;/span&gt;&lt;span style="font-size: medium;"&gt;bies vagando entre los mostradores del aeropuerto de turno o perdidos en el espacio vir&lt;/span&gt;&lt;span style="font-size: medium;"&gt;tual de las agencias de venta on line, sin que el marco jurídico que regula el funciona&lt;/span&gt;&lt;span style="font-size: medium;"&gt;miento de la sociedad acierte a definir un marco de derechos inalienables de los con&lt;/span&gt;&lt;span style="font-size: medium;"&gt;sumidores finales.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Hace unos años se aprobó una ley concursal celebrada porque facilitaba y simplifica&lt;/span&gt;&lt;span style="font-size: medium;"&gt;ba los procedimientos de quiebra de empresas, ordenaba la lista de perjudicados (acree&lt;/span&gt;&lt;span style="font-size: medium;"&gt;dores) y delimitaba las compensaciones a las que podían acceder. Sin embargo, los consumidores no solo no aparecen en todo el articulado de la ley sino que, además, en la única ocasión en que se les nombra, en una disposición final que añade un nuevo apartado 4 al artículo 31 de la ley 26/1984, de 19 de julio, para la Defensa de Consumidores y Usuarios, es para dejar claro que no cuentan para nada. Con la siguiente redacción: “Trigésima primera. Reforma de la Ley de Defensa de Consumidores y Usuarios: (...) 4. Quedarán sin efecto los convenios arbitrales y las ofertas públicas de sometimiento al arbitraje de consumo formalizados por quienes sean declarados en concurso de acreedores. A tal fin, el auto de concurso será notificado al órgano a través del cual se hubiere formalizado el convénio  y ala Junta Arbitral Nacional, quedando desde esemomento el deudor concursado excluido a todos los efectos del sistema arbitral de consumo”. Para que quede claro: la ley establece que desde el momento que una empresa se declara en concurso de acreedores, estos se ponen en fila para hacer valer sus derechos… salvo el consumidor final de los servicios o productos suministrados por la empresa, cuyos derechos desaparecen en ese mismo instante.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;a name="cutid1"&gt;&lt;/a&gt;&lt;div class="ljcut" text="Ver mais..."&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;En el caso concreto que da pie a este artículo, resulta escandaloso que una administración pública pueda inyectar 150 millones de euros procedentes de los tributos pagados por los ciudadanos en una línea aérea, no para mejorar el acceso a los servicios de transporte aéreo, sino para hacer patria y lograr un posicionamiento particular de un aeropuerto barcelonés en la gestión del transporte internacional, al margen de consideraciones de eficacia y eficiencia (difícilmente un país con la situación geográfica y económica de España pueda contar con dos aeropuertos centrales en la gestión del tráfico aéreo internacional). Pero todavía es más indignante que esemismo gobierno se desentienda de la gestión de la empresa y que, llegado el momento del cierre, diga que se la va a tratar como a cualquier empresa privada olvidando su responsabilidad como gobierno  del común que decidió utilizar el dinero de los ciudadanos para adquirir el 85% de una empresa y en el momento de su disolución que no haya responsabilidades políticas ni legales por dicha actuación.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Más allá del caso concreto, lo que se deriva del marco normativo y legal vigente es una cierta sensación de impunidad en la gestión económica, de la que se benefician tanto el poder político como el corporativo. En esse sentido, la quiebra (se supone que de eso se trata) de Spanair no es un casomuy diferente de la insolvencia de tantas entidades bancarias, de la pasividad de los gobiernos ante la burbuja especulativa de precios de activos inmobiliarios y financieros, o de la irresponsabilidad en la gestión de los ingresos y gastos públicos.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Una gestión del interés común desde el principio de responsabilidad pública y de preeminencia de la satisfacción de las necesidades personales y colectivas exige un marco jurídico y político que vaya justamente en la dirección contraria a la de los  cambios que se están implementando en nuestro entorno sociopolítico. No se puede aceptar que se otorgue el mismo tratamiento normativo a empresas privadas que puedan producir bienes o servicios destinados a satisfacer necesidades que se puedan calificar de poco significativas o superfluas que a las empresas que suministran servicios  mprescindibles para el correcto funcionamiento de la sociedad. La quiebra en un caso, genera perjuicios particulares, pero en una actividad esencial, los perjuicios son colectivos. En este sentido, el transporte no esmuy diferente de la energía, la sanidad,el suministro de agua o las telecomunicacio nes.No es cierto que los únicos prejudicados del cierre de una línea aérea sean los pasajeros que se quedan en tierra: estos iban a trasladarse para llevar a cabo un conjunto de actividades, productivas, de ocio o personales, y al perturbarse su viaje se genera un efecto en cascada que nunca se valora en la determinación del daño causado.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Esta situación de indefensión legal de los consumidores finales solo puede ser resuelamediante una enérgica acción del Estado, que tutele y garantice la satisfacción de las necesidades expresadas. Sin duda, esto no se puede realizar de forma universal, para todo ipo de bienes y servicios. Pero sí es exigible que se establezca un marco normativo que dote de seguridad y garantías en el cumplimiento de las obligaciones  adquiridas en materia de servicios básicos. En estos casos, as empresas podrán ser entidades jurídicas privadas y particulares, pero la norma debe exigir una asunción colectiva de las obligaciones inherentes a los servicios suminisrados que minimice los perjuicios persones y colectivos generados por el incumplimiento del vendedor.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;En el caso de la banca, existe un fondo de garantía de depósitos que tutela hasta un ciero nivel la confianza depositada por los ciudadanos en las entidades financieras.No parece mucho pedir que exista un sistema de garanías, tutelado por la administración pública, que comprometa al conjunto de las empresas del sector en el suministro de servicio concreto, sea el transporte, las comunicaciones u otros servicios esenciales, que arantice al consumidor que ha pagado por adelantado, el cumplimiento de los términos del servicio acordado. Y compensar así, aunque sea poquito, la asimetría de poder entre vendedores y compradores (o viceversa).&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1508149</id>
    <author>
      <name>Carlos Loures</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1508149.html"/>
    <issued>2012-05-16T12:00:53</issued>
    <title>Diário de bordo de 16 de Maio de 2012</title>
    <published>2012-05-16T09:04:36Z</published>
    <updated>2012-05-16T09:07:26Z</updated>
    <category term="catastroika"/>
    <category term="ricardo salgado"/>
    <category term="diário de bordo"/>
    <content type="html">&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/joaompmachado/fotos/?uid=mbLKVSZRPW29tn0Dlhsv"&gt;&lt;img style="border: 0 none;" src="http://c7.quickcachr.fotos.sapo.pt/i/B96067a58/12290388_SzJS7.jpeg" alt="" width="260" height="260" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Tommaso Campanella na sua &lt;em&gt;Civitas solis&lt;/em&gt;, ("A Cidade do Sol"), preconizava um ministério da Harmonia e do Amor, que regulamentava as relações entre as pessoas, incluindo a procriação. Nesta aberração institucional que dirige os destinos do país, parece haver um ministério da Verdade. Da Verdade perversa, diga-se – tão mentirosa como a de Sócrates e envenenada com a sinceridade brutal de quem despreza os destinatários da sua sinceridade. Uma verdade diariamente retocada com a emenda de lapsos; emenda que torna a verdade mais negra de dia para dia. Uma verdade inimiga do amor e da harmonia.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Com a determinação arrogante que a ignorância confere, as decisões são tomadas, fazendo tábua rasa da legalidade democrática, destruindo a coesão social mínima e a propria sustentabilidade (palavra de que eles tanto gostam) do regime democrático. &lt;/span&gt;&lt;span style="font-size: medium;"&gt;As maiores enormidades, os maiores atentados a direitos de funcionários públicos e pensionistas são perpetrados como se de medidas normais se tratasse. Até quando se poderá manter a ficção de que vivemos em democracia? &lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Numa entrevista, Ricardo Salgado, o home do BES (o tal que via a integração de Portugal no Reino de Espanha como coisa favorável) vem dizer que Portugal será ajudado pelos seus pares europeus, pois tem feito uma «caminhada impressionante». Impressionante, de facto, mas desconfiamos que não pelos mesmos motivos que Salgado valoriza. &lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Aconselhamos vivamente que vejam o documentário que apresentamos às 21 horas de hoje – “Catastroika”. Mostra-nos como irá ser o nosso futuro se continuarmos a aceitar passivamente o roubo de que estamos a ser vítimas. &lt;/span&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1502907</id>
    <author>
      <name>Carlos Loures</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1502907.html"/>
    <issued>2012-05-16T11:00:24</issued>
    <title>Em memória de Bernardo Sassetti  - por Álvaro José Ferreira</title>
    <published>2012-05-15T16:56:38Z</published>
    <updated>2012-05-16T10:22:56Z</updated>
    <category term="carlos do carmo"/>
    <category term="bernardo sassetti"/>
    <category term="álvaro josé ferreira"/>
    <content type="html">&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/carlosloures/fotos/?uid=OV1GWdbPdewbqeusTV4r"&gt;&lt;img style="border: 0px currentColor;" src="http://c10.quickcachr.fotos.sapo.pt/i/B7a06d851/12292541_ijPN7.jpeg" alt="" width="500" height="294" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p style="text-align: justify;"&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Pianista e compositor, Bernardo Sassetti nasceu em Lisboa, a 24 de Junho de 1970. Iniciou os estudos clássicos de piano, aos nove anos de idade, com a professora Maria Fernanda Costa e, mais tarde, com o professor António Menéres Barbosa, tendo frequentado também a Academia dos Amadores de Música. Fascinado com a música de &lt;/span&gt;&lt;span style="font-size: medium;"&gt;Bill Evans, derivou para o jazz, estudando com Zé Eduardo, Horace Parlan e Sir Roland Hanna.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Iniciou a sua carreira profissional em 1987, afirmando-se desde essa altura como uma peça fundamental em várias formações nacionais. A maturidade e a qualidade do seu jazz, evidenciadas no quarteto de Carlos Martins e no Moreiras Jazztet com apenas dezoito anos de idade, não deixariam de crescer, sedimentadas numa destreza discursiva invulgar e numa invenção harmónica notável. Para além das inúmeras digressões realizadas um pouco por todo o mundo com pequenas formações por si lideradas ou em contextos mais alargados, como a série de concertos realizados na China, acompanhado pela Orquestra Filarmónica de Hong Kong, Bernando Sassetti trabalhou ao longo dos anos com músicos de excepção em gravações e apresentações pontuais, tendo inscritas no seu currículo colaborações com Andy Sheppard, Art Farmer, Kenny Wheeler, Freddie Hubbard, Paquito D'Rivera, Benny Golson, Curtis Fuller, Eddie Henderson, Charles McPherson, Steve Nelson, ou integrado na United Nations Orchestra e no quinteto do trompetista britânico Guy Barker – com o qual gravou o CD "Into The Blue" (Verve), nomeado para os Mercury Awards '95 - Ten albums of the year.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Os seus primeiros registos discográficos em nome próprio, "Salsetti" (1994, em colaboração com Paquito D'Rivera) e "Mundos" (1996), bem como as suas suites "Ecos de África", "Sons do Brasil" e "Suite Ibérica", evidenciam já uma engenhosa técnica de composição marcada por um caloroso rigor harmónico enquadrado numa matriz rítmica que privilegia a música afro-latina, sem faltar à originalidade nem ceder à trivialidade.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Em 1997, participou no álbum "What Love Is", de Guy Barker, acompanhado pela London Philarmonic Orchestra, cujo convidado especial foi o cantor Sting. Foi este o registo que esteve na origem do convite que o realizador britânico Anthony Minghella, por intermédio da Paramount Pictures, veio a fazer a Bernardo Sassetti para participar na banda sonora do filme "O Talentoso Mr. Ripley" (1999), para o qual gravou três temas: "My Funny Valentine", com Matt Damon; "Tu Vuo' Fa L'Americano" com Matt Damon, Jude Law e o cantor italiano Fiorello; e "You Don't Know What Love Is" com o cantor escocês John Martyn. A composição de música para cinema de ficção e documental viria a tornar-se uma das principais vertentes da actividade de Bernardo Sassetti, sendo de mencionar: "Facas e Anjos" (2000), de Eduardo Guedes; "Maria do Mar", de José Leitão Barros, sob encomenda da Cinemateca Portuguesa, em 2000; "As Terças da Bailarina Gorda" (2000), curta-metragem de Jeanne Waltz; "Aniversário" (2000), telefilme de Mário Barroso; "O Segredo" (2000), de Leandro Ferreira; "Quaresma" (2003), de José Álvaro Morais; "Noite em Branco" (2003), documentário de Olivier Blanc; "A Costa dos Murmúrios" (2004), de Margarida Cardoso; e "Alice" (2005), de Marco Martins. Participou ainda, como solista, no filme "Pax" (1994), de Eduardo Guedes, e na curta-metragem "Bloodcount" (1999), de Bernard McLoughlan.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;O CD "Nocturno", gravado na casa de Maria João Pires, em Belgais, e editado pela editora portuguesa Clean Feed, em 2002, viria a ser distinguido com o Prémio Carlos Paredes, instituído pela Câmara Municipal de Vila Franca de Xira. Em 2003, Bernardo Sassetti associou-se a Mário Laginha para a gravação de um disco onde pudessem dar expressão às suas afinidades electivas, aprofundando a experiência que haviam tido em 1999 no festival "Jazz em Agosto", onde tocaram juntos a convite da Fundação Calouste Gulbenkian. A edição recebeu o título simples e inequívoco de "Mário Laginha &amp;amp; Bernardo Sassetti". Ainda com Mário Laginha, gravou várias versões instrumentais de canções de José Afonso para o segundo CD da colectânea "Grândolas" (2004), comemorativa do 30.º aniversário do 25 de Abril. Em Outubro de 2006, realizou no Grande Auditório do Centro Cultural de Belém, com Mário Laginha e Pedro Burmester, o concerto "3 Pianos" que seria editado em DVD, no ano seguinte. Da discografia de Bernardo Sassetti, merecem ainda destaque os álbuns "Indigo" (2003), "Livre" (2004), "Ascent" (2005), amplamente aclamados pela crítica especializada.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Em parceria com Carlos do Carmo, gravou em 2010, o CD "Carlos do Carmo e Bernardo Sassetti", compondo a música de – "Retrato" (com letra de Mário Cláudio), assegurando também a execução pianística de  "Talvez por Acaso" (com música de Carlos Manuel Proença e &lt;/span&gt;&lt;span style="font-size: medium;"&gt;letra de Manuela de Freitas) – e assinou os arranjos de oito clássicos da canção portuguesa e internacional.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Na extensa lista de colaborações com outros intérpretes, como acompanhador e/ou como compositor/arranjador, contam-se os seguintes discos: "Impressões" (1994) e "Olhar" (1999), de Carlos Barretto; "Cumplicidades" (1994), de Luís Represas; "Into The Blue" (1994), "What Love Is" (1998) e "Timeswing" (2000), de Guy Barker; "Luandando" (1995), de Moreiras Jazztet; "Tom Maior: Homenagem a Tom Jobim" (1995), de Naná Sousa Dias; "Dundunbanza!" (1995) e "Tibiri Tabara" (1998), do grupo cubano Sierra Maestra; "Passagem" (1996), "Sempre" (1999), "Do Outro Lado" (2006) e "Água" (2008), de Carlos Martins; "Desafinados" (1996), de Tetvocal; "Carlos do Carmo ao Vivo: Coliseu dos Recreios Lisboa: 40 Anos de Carreira" (2004); "Jamaica By Night" (2010), de Andy Hamilton; e "Mútuo Consentimento" (2011), de Sérgio Godinho. (fontes principais: "Infopédia" e "JazzPortugal")&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;strong&gt;&lt;span style="font-size: medium;"&gt;Discografia:&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;- Ao Vivo no Festival de Jazz de Guimarães (CD, Groove/Movieplay, 1994), Conrad Herwig e Trio de Bernardo Sassetti (com Bernardo Moreira e André Sousa Machado)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Salsetti (CD, Groove/Movieplay, 1994), com Paquito D'Rivera&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Mundos (CD, Emarcy/Polygram, 1996)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Nocturno (CD, Clean Feed, 2002), Bernardo Sassetti Trio (com Carlos Barretto e Alexandre Frazão)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Mário Laginha e Bernardo Sassetti (CD, ONC, 2003)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Grândolas (CD2, Guilda da Música/CNM, 2004), com Mário Laginha&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Indigo (CD, Clean Feed, 2004)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Livre (CD, Clean Feed, 2004)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Ascent (CD, Clean Feed, 2005), Bernardo Sassetti Trio (com Carlos Barretto e Alexandre Frazão)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Alice (CD, Trem Azul, 2006), banda sonora do filme de Marco Martins&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Unreal: Sidewalk Cartoon (CD, Trem Azul, 2006)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Dúvida (1964) (CD, Trem Azul, 2007), música para a peça de teatro "Doubt", de John Patrick Shanley, levada à cena no Teatro Maria Matos, com encenação de Ana Luísa Guimarães e Diogo Infante&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- 3 Pianos (DVD, Incubadora d'Artes, 2007), com Mário Laginha e Pedro Burmester - Um Amor de Perdição (CD, Trem Azul, 2009), banda sonora do filme de Mário Barroso&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Palace Ghosts and Drunken Hymns (CD, Clean Feed, 2009), com o Will Holshouser Trio (David Phillips, Ron Horton e Will Holshouser)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Second Life (CD, Utopia Música, 2009), banda sonora do filme de Alexandre Valente e Miguel Gaudêncio&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Trago Fado nos Sentidos: ao vivo na Casa da Música (CD, Casa da Música, 2009), com Mário Laginha&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Motion (CD, Clean Feed, 2010), Bernardo Sassetti Trio (com Carlos Barretto e Alexandre Frazão)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Carlos do Carmo &amp;amp; Bernardo Sassetti (CD, Universal, 2010)&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: x-large;"&gt;&lt;strong&gt;Retrato&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Letra: &lt;strong&gt;Mário Cláudio&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Música: &lt;strong&gt;Bernardo Sassetti&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Intérpretes: Carlos do Carmo &amp;amp; Bernardo Sassetti* (in CD "Carlos do Carmo e Bernardo Sassetti", Universal, 2010) [&amp;gt;&amp;gt; Vídeos Sapo]&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;[instrumental]&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;&lt;em&gt;&lt;strong&gt;Quando a tarde passa, abre-se outra porta.&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;em&gt;&lt;strong&gt;Se o morcego voa, a estrela desponta,&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;em&gt;&lt;strong&gt;Ser de hoje ou de sempre, nada disso importa,&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;em&gt;&lt;strong&gt;Todo o tempo corre só por nossa conta.&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;&lt;em&gt;&lt;strong&gt;Sei de praias brancas, de velas queimadas,&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;em&gt;&lt;strong&gt;Se perdi meus passos em longa carreira,&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;em&gt;&lt;strong&gt;Tive pais e filhos, tive namoradas,&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;em&gt;&lt;strong&gt;E encontrei-me logo aqui mesmo à beira.&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;&lt;em&gt;&lt;strong&gt;Jogo minhas cartas na mesa da vida,&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;em&gt;&lt;strong&gt;Recolho moedas e penas também,&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;em&gt;&lt;strong&gt;Alma incandescente, de frio transida,&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;em&gt;&lt;strong&gt;Quem me dá certezas que o livro não tem?&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;&lt;em&gt;&lt;strong&gt;O vinho bebido ao sangue juntei,&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;em&gt;&lt;strong&gt;E os frutos da terra descobri em mim,&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;em&gt;&lt;strong&gt;Que ninguém me diga que morreu sem lei,&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;em&gt;&lt;strong&gt;Que ninguém me diga que morreu assim!&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;* Carlos do Carmo – voz&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Bernardo Sassetti – piano&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Músico convidado:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Filipe Quaresma – violoncelo&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Produção musical – Carlos do Carmo&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Arranjos musicais – Bernardo Sassetti&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Produção executiva – Tiago Palma / Universal Music Portugal&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Gravado por Tó Pinheiro da Silva e João Bessa, assistido por Manuel Reis, nos Boom Studios, Vila Nova de Gaia, excepto violoncelo, gravado por Tó Pinheiro da Silva e João Szasz, nos Estúdios Vale de Lobos, Almargem do Bispo - Sintra, entre Julho e Outubro de 2010&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Misturado e masterizado por Tó Pinheiro da Silva&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;object width="410" height="296" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"&gt;&lt;param name="src" value="http://rd.videos.sapo.tl/play?file=http://rd.videos.sapo.tl/ud6BkzVozMtKJ03bEmyG/mov/1" /&gt;&lt;param name="allowfullscreen" value="true" /&gt;&lt;embed width="410" height="296" type="application/x-shockwave-flash" src="http://rd.videos.sapo.tl/play?file=http://rd.videos.sapo.tl/ud6BkzVozMtKJ03bEmyG/mov/1" allowfullscreen="true" /&gt;&lt;/object&gt;&lt;/div&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;URL: &lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;&lt;a href="http://www.youtube.com/user/bernardosassetti"&gt;http://www.youtube.com/user/bernardosass&lt;wbr /&gt;etti&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;&lt;a href="http://pt.wikipedia.org/wiki/Bernardo_Sassetti"&gt;http://pt.wikipedia.org/wiki/Bernardo_Sa&lt;wbr /&gt;ssetti&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;&lt;a href="http://www.infopedia.pt/$bernardo-sassetti"&gt;http://www.infopedia.pt/$bernardo-sasset&lt;wbr /&gt;ti&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;&lt;a href="http://www.jazzportugal.ua.pt/web/ver_musicos.asp?id=6"&gt;http://www.jazzportugal.ua.pt/web/ver_mu&lt;wbr /&gt;sicos.asp?id=6&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;&lt;a href="http://www.cleanfeed-records.com/artista.asp?intID=74"&gt;http://www.cleanfeed-records.com/artista.a&lt;wbr /&gt;sp?intID=74&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;&lt;a href="http://www.pedromendes.com/onc/musicos/sassetti/index.html"&gt;http://www.pedromendes.com/onc/musicos/s&lt;wbr /&gt;assetti/index.html&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;&lt;a href="http://palcoprincipal.sapo.pt/bandasMain/bernardo_sassetti"&gt;http://palcoprincipal.sapo.pt/bandasMain/b&lt;wbr /&gt;ernardo_sassetti&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;&lt;a href="http://cotonete.clix.pt/artistas/musicas.aspx?id=7929"&gt;http://cotonete.clix.pt/artistas/musicas.a&lt;wbr /&gt;spx?id=7929&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;&lt;a href="http://www.lastfm.pt/music/Bernardo+Sassetti"&gt;http://www.lastfm.pt/music/Bernardo+Sass&lt;wbr /&gt;etti&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;(Publicada por Álvaro José Ferreira em 16:31)&lt;/span&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1505590</id>
    <author>
      <name>Pedro Godinho</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1505590.html"/>
    <issued>2012-05-16T10:00:11</issued>
    <title>Homenagem a Paz-Andrade e Celso Emilio Ferreiro</title>
    <published>2012-05-15T23:22:09Z</published>
    <updated>2012-05-16T12:24:45Z</updated>
    <category term="valentim paz andrade"/>
    <category term="letras galegas"/>
    <category term="celso emilio ferreiro"/>
    <category term="sempre galiza"/>
    <category term="península"/>
    <content type="html">&lt;p&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/pgodinho/fotos/?uid=GKM5C6RlNDBI8U9liCAg"&gt;&lt;img style="border: 0 none;" src="http://c9.quickcachr.fotos.sapo.pt/i/B01077b2e/9026334_nN9Ur.jpeg" alt="" width="500" height="80" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style="font-family: comic sans ms,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;Sempre Galiza!&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/pgodinho/fotos/?uid=zkbbYNEdk3WlVwDB83Pa"&gt;&lt;img style="border: 0 none;" src="http://c2.quickcachr.fotos.sapo.pt/i/B67072bec/8953951_MMA8o.jpeg" alt="Sempre Galiza!" width="600" height="30" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-family: &amp;#39;arial black&amp;#39;, &amp;#39;avant garde&amp;#39;; font-size: large; color: #993300;"&gt;Homenagem a Paz-Andrade e Celso Emilio Ferreiro&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-family: &amp;#39;arial black&amp;#39;, &amp;#39;avant garde&amp;#39;; font-size: large; color: #993300;"&gt;17 de maio - Vigo&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/pgodinho/fotos/?uid=CPTCwYUb5Ujicpnwa030"&gt;&lt;img style="border: 0 none;" src="http://c3.quickcachr.fotos.sapo.pt/i/B2b066fd5/12294302_uTq26.jpeg" alt="" width="180" height="242" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="color: #993300; font-family: &amp;#39;arial black&amp;#39;, &amp;#39;avant garde&amp;#39;; font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium; font-family: verdana, geneva;"&gt;Amanhã, 17 de maio, são homenageados o inteletual galego Valentim Paz-Andrade - a quem são dedicadas este ano as Letras Galegas - e o poeta ourensão Celso Emílio Ferreiro. O ato decorrerá no local da &lt;a href="http://agal-gz.org/blogues/index.php/revolta/"&gt;C.S. A Revolta&lt;/a&gt; (antiga –Escola popular Galega) na Rua Real 12, rés-do-chão. Zona Velha de Vigo e começará por volta das 18h.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium; font-family: verdana, geneva;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium; font-family: verdana, geneva;"&gt;Colaboram no evento a Associação Pró-Academia Galega da Língua Portuguesa, a Associação Galega da Língua, a Fundação Meendinho e o Centro Social A Revolta. &lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium; font-family: verdana, geneva;"&gt;Será também feita a apresentação pública da Iniciativa Legislativa Popular Valentim Paz Andrade.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium; font-family: verdana, geneva;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium; font-family: verdana, geneva;"&gt;Intervirão: Isaac Alonso Estraviz, para falar da pertença de Valentim Paz-Andrade à Comissão Galega do Acordo Ortográfico. Concha Rousia, Iolanda Andrei, Belém Andrade, Nolim Gonçalves e representantes da Porta Verde do Sétimo Andar recitarão poemas dos dois autores homenageados.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium; font-family: verdana, geneva;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium; font-family: verdana, geneva;"&gt;O ato será encerrado com a interpretação musical do cantor português Rui David.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style="font-family: arial, helvetica, sans-serif; font-size: medium; color: #ff6600;"&gt;Iniciativa Legislativa Popular "Valentim Paz Andrade"&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;A Iniciativa Legislativa Popular Valentim Paz Andrade, dando corpo (e alma) às ideias reintegracionistas de Paz-Andrade, propõe-se fazer legislar a incorporação do português no ensino e dar-lhe o relevo que deve ter na Galiza, em todo tipo de atividades, incluídas as públicas.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;blockquote&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;NA MATRICIAL GALIZA, SEMPRE TÚA, &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;que dende a Torre de Hércules ao Miño&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;un facho acenderá por cada illa,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;cando ti volvas polo mare;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;de toxo unha fogueira en cada monte;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;cando ti volvas polo mare;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;dos castros na coroa unha cachela,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;cando ti volvas polo mare;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;unha loura candea en cada pino,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;cando ti volvas polo mare;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;o seu cirio de frouma os alciprestes,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;cando ti volvas polo mare;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;luces de ardora branca en cada mastro, &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;cando ti volvas polo mare;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;un farol mariñeiro en cada dorna,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;cando ti volvas polo mare;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;veliñas á xanela en cada casa,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;cando ti volvas polo mare;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;e as pérolas das bágoas derramadas,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;cando ti chegues polo mare;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;cando ti chegues polo mare...&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;Galiza, 1954&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: verdana, geneva; font-size: medium;"&gt;Valentim Paz-Andrade, &lt;em&gt;Pranto matricial&lt;/em&gt;, 1955&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;/blockquote&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;iframe src="http://www.youtube.com/embed/rhqfDStXDxM" width="425" height="344" frameborder="0"&gt;&lt;/iframe&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1506081</id>
    <author>
      <name>João Machado</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1506081.html"/>
    <issued>2012-05-16T09:45:08</issued>
    <title>Dia Internacional dos Museus: Museu do Neo-Realismo.</title>
    <published>2012-05-15T23:49:56Z</published>
    <updated>2012-05-16T14:59:49Z</updated>
    <category term="museu do neo-realismo"/>
    <category term="dia internacional dos museus"/>
    <content type="html">&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/joaompmachado/fotos/?uid=Nk9TAmqJle23ayZ1tBhZ"&gt;&lt;img style="border: 0 none;" src="http://c10.quickcachr.fotos.sapo.pt/i/Be609caff/12296901_LbbU5.jpeg" alt="" width="280" height="782" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/joaompmachado/fotos/?uid=6rjafq7UE72MYIL0b50w"&gt;&lt;img style="border: 0 none;" src="http://c7.quickcachr.fotos.sapo.pt/i/Bb108664e/12294502_f2QBo.jpeg" alt="" width="220" height="220" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1504272</id>
    <author>
      <name>João Machado</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1504272.html"/>
    <issued>2012-05-16T09:30:14</issued>
    <title>Escrita Online</title>
    <published>2012-05-15T18:07:33Z</published>
    <updated>2012-05-16T00:01:17Z</updated>
    <category term="concurso literário"/>
    <category term="escrita online"/>
    <content type="html">&lt;div class="header-outer" style="text-align: justify;"&gt;
&lt;div class="fauxborder-left header-fauxborder-left"&gt;
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&lt;p&gt;&lt;span style="font-size: large; color: #993300;"&gt;&lt;strong&gt;Um blogue que não adoPta o Novo Acordo Ortográfico.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style="font-size: medium;"&gt;REGULAMENTO DE CONCURSO&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1. Instalação e finalidade&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.1. Especialistas da área educativa licenciadas em Pedagogia pela Universidade de Coimbra, escrevinhadoras viciadas | bloggers e leitoras compulsivas, de forma a estimular o gosto pela escrita, decidiram criar e lançar o Concurso Online de Escrita.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.2. &lt;strong&gt;O Concurso Online de Escrita&lt;/strong&gt; será constituído por cinco (5) desafios, ao longo de cinco (5) semanas.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;1.2.1. Será apresentado um desafio por semana.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;2. Modo de funcionamento&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;2.1. Todas as Quartas-feiras será enviado, para todos os concorrentes via e-mail, o desafio.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;2.2. Terão até à Terça-feira seguinte (às 23:59h) para escrever o texto que lhes é pedido e para o enviarem para o seguinte endereço:&lt;strong&gt; c.escrita.online@gmail.com&lt;/strong&gt;;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;2.3. O júri pontuará cada um dos textos de zero (0) a vinte (20) valores, de acordo com critérios de qualidade, criatividade, organização e originalidade.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;2.4. As pontuações serão, semanalmente, enviadas, via e-mail, para todos os concorrentes.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;2.5. O vencedor do Concurso Online de Escrita será o concorrente que somar, no final das cinco (5) semanas, mais pontos.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;3. Inscrição&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;3.1. Podem participar no Concurso Online de Escrita todos aqueles que estejam dispostos a escrever em língua portuguesa, maiores de dezoito (18) anos, independentemente da sua nacionalidade ou do país onde se encontrem.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;3.2. As inscrições são individuais.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;3.3. O custo de inscrição é de dez (10) livros para todo o concurso.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;3.4. Para formalizar a inscrição, bastará enviar um e-mail a expressar esse desejo para o endereço electrónico c.escrita.online@gmail.com – ao qual se responderá com brevidade.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;3.4.1. Para a inscrição ficar total e devidamente efectivada será, posteriormente ao e-mail mencionado em 3.4., enviada a Ficha de Inscrição que deve ser preenchida correctamente.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;3.4.1.1. Deve ainda efectuar o pagamento da inscrição - dez (10) livros - e enviar comprovativo para o endereço já citado: &lt;strong&gt;c.escrita.online@gmail.com&lt;/strong&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;3.5. O número de participantes é limitado.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;3.6. A inscrição é feita por ordem de chegada.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;4. Natureza dos prémios&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;4.1. Todas as semanas, se assim for dada permissão pelo autor, será divulgado no blogue do concurso - http.//escrita-online.blogspot.com - o texto vencedor de cada desafio.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;4.2. O Prémio Final é de cinquenta (50) livros.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;5. Constituição do Júri&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;5.1. O Júri será composto por 1. uma especialista da área educativa licenciada em Pedagogia pela Universidade de Coimbra - Organização do COE, 2. uma blogger convidada - vencedora das edições anteriores e 3. uma leitora compulsiva.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;6. Casos omissos e dúvidas de interpretação&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;6.1. Os casos omissos e as dúvidas de interpretação serão resolvidos pela Organização.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;7. Disposições Finais&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;7.1. Todos os concorrentes inscritos aceitam este Regulamento.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;7.2. Todas as informações relativas ao Concurso Online de Escrita serão divulgadas através do blogue http://escrita-online.blogspot.com e tudo o que seja de total interesse dos concorrentes será enviado para o mail de contacto cedido na Ficha de Inscrição.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;7.3. A Organização reserva-se o direito de anular o concurso no caso de não existir número suficiente de inscritos. Tal implicará a devolução do custo da inscrição - dez (10) livros - aos participantes.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Publicada por Escrita Online&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Enviar a mensagem por e-mail&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Dê a sua opinião!&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Partilhar no Twitter&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Partilhar no Facebook&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;div&gt;
&lt;p&gt;&lt;strong&gt;Endereço do blogue do concurso:&lt;/strong&gt; &lt;a href="http://escrita-online.blogspot.pt/" target="V-p-cihiYWtPspbW8EHF7GA"&gt;&lt;strong&gt;http://escrita-online.blogspot.pt/&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;?&lt;/strong&gt;&lt;/p&gt;
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&lt;p&gt; &lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;strong&gt;Link para o Regulamento:&lt;/strong&gt; &lt;a href="http://escrita-online.blogspot.pt/2011/11/regulamento.html" target="V-p-cihiYWtPspbW8EHF7GA"&gt;&lt;strong&gt;http://escrita-online.blogspot.pt/2011/1&lt;wbr /&gt;1/regulamento.html&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;.&lt;/strong&gt;&lt;/p&gt;
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&lt;/div&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1503232</id>
    <author>
      <name>João Machado</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1503232.html"/>
    <issued>2012-05-16T09:00:49</issued>
    <title>Pentacórdio, quarta-feira, dia 16 de Maio ... Por Rui Oliveira</title>
    <published>2012-05-15T17:13:29Z</published>
    <updated>2012-05-15T17:13:29Z</updated>
    <category term="palácio foz"/>
    <category term="música"/>
    <category term="rui de oliveira"/>
    <category term="pentacórdio"/>
    <category term="óscar marcelino da graça"/>
    <content type="html">&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/joaompmachado/fotos/?uid=07A5e0zi69eeJP9YyVUk"&gt;&lt;img style="border: 0 none;" src="http://c4.quickcachr.fotos.sapo.pt/i/B7b06bc90/12292591_ErK4w.jpeg" alt="" width="500" height="194" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;span style="text-align: justify;"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;div class="saportecontainer saportepreserve" style="float: right;"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/joaompmachado/fotos/?uid=lvWQ7KPmwU354GtTBWDo"&gt;&lt;img style="border: 0 none;" src="http://c8.quickcachr.fotos.sapo.pt/i/B7108e678/12292602_cLLrf.png" alt="" width="160" height="160" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;     Na &lt;strong&gt;Quarta-feira 16 de Maio&lt;/strong&gt;, às 19h, na Sala dos Espelhos do &lt;strong&gt;Palácio Foz&lt;/strong&gt; será possível  escutar o trio do pianista &lt;strong&gt;Óscar Marcelino da Graça&lt;/strong&gt; o qual, contando com a inspiração e a musicalidade do contrabaixista &lt;strong&gt;Demian Cabaud&lt;/strong&gt; e do baterista &lt;strong&gt;Marcos Cavaleiro&lt;/strong&gt;, irá divulgar o seu primeiro trabalho discográfico &lt;strong&gt;&lt;em&gt; “Velox Pondera” &lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size: medium;"&gt;registado em 2011.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;   &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;    “Na música do trio, a procura incessante da não repetição formal ou de arquétipos, aliada à indivisibilidade do colectivo, será porventura a característica predominante”&lt;/em&gt; (diz um crítico que ouviu o disco, L.R.). &lt;em&gt;”As estruturas soam flexíveis, por menos que o sejam, sendo a interacção essencial (e talvez o principal motivo de enfoque quando se escute o disco). A música raramente é complexa na sua composição, mas as contínuas comunicação e preocupação com o som colectivo, garantem um carácter orgânico que será tudo menos simples de analisar”&lt;/em&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;     Este é mais um &lt;/span&gt;&lt;em style="font-size: medium;"&gt;Concerto Antena 2&lt;/em&gt;&lt;span style="font-size: medium;"&gt; de &lt;/span&gt;&lt;strong style="font-size: medium;"&gt;entrada livre&lt;/strong&gt;&lt;span style="font-size: medium;"&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;     O vídeo abaixo do tema &lt;em&gt;Pleno&lt;/em&gt; num concerto do trio em Aveiro em 2011, antecipa o som actual:&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;iframe src="http://www.youtube.com/embed/pRmRMvv2Svc?feature=player_embedded" width="292" height="256" frameborder="0"&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1468566</id>
    <author>
      <name>Carlos Loures</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1468566.html"/>
    <issued>2012-05-16T08:00:17</issued>
    <title>A POESIA E A MÚSICA - António Sales</title>
    <published>2012-05-09T20:43:25Z</published>
    <updated>2012-05-14T13:55:14Z</updated>
    <category term="música"/>
    <category term="poesia"/>
    <category term="georges braque"/>
    <category term="antónio sales"/>
    <content type="html">&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;img style="border: 0px currentColor;" src="https://encrypted-tbn0.google.com/images?q=tbn:ANd9GcRhR5Mq6UXeamYFqmTvRlYPvPLRGuTn3eh9kB46oP1V9rD-Elxb" alt="" width="450" height="544" /&gt;&lt;/div&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style="text-align: right;"&gt;&lt;span style="color: #808000; font-size: small;"&gt;&lt;em&gt;Pintura de GEORGES BRAQUE &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="color: #333300;"&gt;&lt;strong&gt;&lt;span style="font-size: xx-large;"&gt;&lt;em&gt;Os Violinos&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;O arranque vibra &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;ao som das cordas brancas&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;soltando a harmonia&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;de sombras solitárias espelhadas no céu&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;entre satélites. &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;Os arcos riscam ondas de luz&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;ao espírito de coros conventuais.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;Os primeiros violinos&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;espalham suspiros de vento&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;evadido de um tempo gotejante.&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;Cinzento e leve &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;percorre as abóbadas do universo&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;fecundando a multiplicação dos séculos&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;na busca de perpétua fantasia&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;sublime e mística.&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;Dedos pisando as cordas,&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;vibrações expandidas,&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;soltas, vivas.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;A voz noturna chama .&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;Os segundos violinos,&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;batendo os arcos como asas&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;em vibratórios movimentos&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;largam no ar um fio melódico&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;de vestes brancas&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;à procur da revelação das notas certas.&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;Tocam a alegria dourada &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;dos girassóis dançando pelo corpo.&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;Vigor da existência&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;paixão e esperança&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;beleza encantadora das cordas&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;que depositam paz nos corações.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;Um espaço&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;um silêncio de braços&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;um gesto de compasso.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;Subitamente&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;todos sobem  o rio das ninfas musicais,&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;entre fontes de amor &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;e beijos de amantes nupciais.&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;Num hino superior&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;os violinos tornam-se senhores&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;das emoções hunanas  plantadas&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;pela terra.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;Som majestoso este&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;ao encontro dos corações&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;onde jazem&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;pecados encardidos de o serem.&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;tristeza e vozes em clausura&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;agora libertas pelos violinos&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;que procuram virtudes incógnitas&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;no  superior sentido do destino.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color: #808000; font-size: large;"&gt;&lt;em&gt;E assim termina a partitura!&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="color: #333300; font-size: large;"&gt;&lt;em&gt;(inédito)&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1499862</id>
    <author>
      <name>Carlos Loures</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1499862.html"/>
    <issued>2012-05-16T07:00:07</issued>
    <title>MÚSICA ROMÂNTICA DO SÉCULO XX - "Quando m'innamoro" - 1968</title>
    <published>2012-05-14T18:03:10Z</published>
    <updated>2012-05-15T17:00:20Z</updated>
    <category term="ao romper da bela aurora"/>
    <category term="música romântica"/>
    <content type="html">&lt;div class="saportecontainer saportepreserve" style="float: right;"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/carlosloures/fotos/?uid=MV4b87HMPqrNPm4Fg75g"&gt;&lt;img style="border: 0px currentColor;" src="http://c4.quickcachr.fotos.sapo.pt/i/Bc8088784/12287464_tahHy.jpeg" alt="" width="340" height="342" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p&gt;&lt;span style="font-size: large;"&gt;&lt;strong&gt;Vencedora do Festival de Sanremo de 1968, &lt;em&gt;Quando m'innamoro,&lt;/em&gt; composta por Roberto Livraghi, Mario Panzeri e Daniele Pace, perdeu no Eurofestival para a &lt;em&gt;La,la,la&lt;/em&gt; a canção de Espanha. Os festivais valem o que valem - de &lt;em&gt;La, la,&lt;/em&gt; la ninguém ouve hoje em dia falar - de &lt;em&gt;Quando m'in&lt;/em&gt;n&lt;em&gt;amoro&lt;/em&gt;, mais de quarenta anos depois, fazem-se novas versões - Andrea Bocelli populariza-a em castelhano - &lt;em&gt;Cuando me en&lt;/em&gt;amoro, Engelbert Humperdinck em inglês - &lt;em&gt;The Man Without L&lt;/em&gt;ove. As versões são múltiplas, para além de outras como a de Domenico Modugno, Bobby Solo, Emilio Pericoli , há a de Gigliola Cinquetti. Patrizio Buanne (1978), canta-a em inglês e italiano. &lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;iframe src="http://www.youtube.com/embed/w4BH3aCwx0c?feature=player_embedded" width="640" height="360" frameborder="0"&gt;&lt;/iframe&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1503037</id>
    <author>
      <name>Carlos Loures</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1503037.html"/>
    <issued>2012-05-16T01:00:39</issued>
    <title>VAMOS AO CINEMA - OS NOVOS MONSTROS (4)</title>
    <published>2012-05-15T17:03:49Z</published>
    <updated>2012-05-15T17:16:47Z</updated>
    <category term="vamos ao cinema"/>
    <category term="alberto sordi"/>
    <category term="os novos monstrtros"/>
    <content type="html">&lt;p style="text-align: center;"&gt;&lt;br /&gt;&lt;span style="font-size: xx-large;"&gt;&lt;strong&gt;Os Novos Monstros (4)&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;img style="border: 0px currentColor;" src="http://img.weburbanist.com/wp-content/uploads/2011/05/date-night-615.gif" alt="" width="500" height="232" /&gt;&lt;/div&gt;
&lt;p&gt; &lt;/p&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;
&lt;div class="saportecontainer saportepreserve" style="float: right;"&gt;&lt;img style="border-width: 0px;" src="http://t0.gstatic.com/images?q=tbn:ANd9GcTOLn4u9Bh8GinYS7xUK2xbJwHynZgKJ2x6q7s_2LcljxJHa5MP" alt="" width="200" height="197" /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;span style="color: #000000; font-size: xx-large;"&gt;&lt;strong&gt; VAMOS AO CINEMA&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="color: #888888; font-size: large;"&gt;&lt;strong&gt;Apresentamos mais um dos 14 episódios de "Os Novos Monstros". Alberto Sordi, na pele de um sofisticado aristocrata, procura ser solidário. &lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt; &lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="color: #888888; font-size: large;"&gt;&lt;strong&gt;Vejamos &lt;em&gt;First Aid&lt;/em&gt;, assim se chama este segmento.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;iframe src="http://www.youtube.com/embed/yZEMO3ZGH3c" width="420" height="315" frameborder="0"&gt;&lt;/iframe&gt;&lt;/div&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1505193</id>
    <author>
      <name>Carlos Loures</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1505193.html"/>
    <issued>2012-05-15T23:55:28</issued>
    <title>MORREU HOJE O GRANDE ESCRITOR MEXICANO CARLOS FUENTES</title>
    <published>2012-05-15T22:04:47Z</published>
    <updated>2012-05-15T22:04:47Z</updated>
    <category term="carlos fuentes"/>
    <category term="literatura mexicana"/>
    <content type="html">&lt;div class="saportecontainer saportepreserve"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/carlosloures/fotos/?uid=Kd1LQqTzTdTJOZNM6GPO"&gt;&lt;img style="border: 0px currentColor; margin-right: auto; margin-left: auto; display: block;" src="http://c9.quickcachr.fotos.sapo.pt/i/B7f067974/12293986_CnFRG.jpeg" alt="" width="500" height="347" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: justify;"&gt; &lt;/div&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Carlos Fuentes morreu hoje, na Cidade do México, aos 83 anos. Autor de &lt;em&gt;O Velho Gringo&lt;/em&gt;, Prémio Cervantes, em 1987, o mais prestigiado prémio literário de língua castelhana, foi um dos mais destacados escritores mexicanos da geração que se seguiu  à de  Octavio Paz, Prémio Nobel da Literatura. Aliás, Carlos Fuentes, fazia parte do grupo de escritores que todos os anos se esperava que ganhasse o Nobel. &lt;/span&gt;&lt;/div&gt;
&lt;p&gt; &lt;/p&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Nasceu no Panamá em 11 de Novembro de 1928, numa família de diplomatas. Estudou na Suíça e nos Estados Unidos, tendo vivido em numerosas cidades da América Latina e  em Washington. Licenciado em Direito, seguiu a tradição familiar enveredando pela  carreira diplomática. De 1972 a 1976 foi embaixador do México em França. Desde meados da década de 1970, leccionou em universidades como as de Paris, Princeton, Harvard, Columbia ou Cambridge. &lt;/span&gt;&lt;/div&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Livros  como &lt;em&gt;A morte de Artemio Cruz, Aura, As boas Consciências, Cantar de cegos,  Zona sagrada, Cambio de piel, Terra nostra&lt;/em&gt;&lt;/span&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;, Cristóbal Nonato, Os Anos Com Laura Díaz&lt;/em&gt; fizeram dele um autor consagrado. Nunca abdicou de afirmar as suas convicções de esquerda - «O que um escritor pode fazer politicamente - escreveu num ensaio da revista 'Tiempo Mexicano', de 1972 - deve fazê-lo também como cidadão. Num país como o nosso, o escritor, o intelectual, não pode alhear-se da luta pela mudança política o que, em última instância, pressupõe também uma transformação cultural". &lt;/span&gt;&lt;/div&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: justify;"&gt; &lt;/div&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Voltaremos a Carlos Fuentes e à sua obra nos próximos dias. &lt;/span&gt;&lt;/div&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1484469</id>
    <author>
      <name>Augusta Clara</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1484469.html"/>
    <issued>2012-05-15T23:00:05</issued>
    <title>Sonho dos Outros e Promessas - Bernardo Sassetti</title>
    <published>2012-05-12T11:29:58Z</published>
    <updated>2012-05-14T23:47:53Z</updated>
    <category term="música"/>
    <category term="terna é a noite"/>
    <category term="bernardo sassetti"/>
    <content type="html">&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/augustaclara/fotos/?uid=jSa3rnuhGgsW1S118yPB"&gt;&lt;img style="border: 0 none;" src="http://c7.quickcachr.fotos.sapo.pt/i/B4d06b7d1/12270750_liOew.jpeg" alt="" width="600" height="138" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p style="text-align: center;"&gt; &lt;/p&gt;
&lt;p style="text-align: center;"&gt; &lt;/p&gt;
&lt;p style="text-align: center;"&gt;&lt;span style="font-family: comic sans ms,sans-serif; color: #0000ff; font-size: large;"&gt;&lt;strong&gt;Bernardo Sassetti &lt;/strong&gt; Sonho dos Outros&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: center;"&gt; &lt;/p&gt;
&lt;p style="text-align: center;"&gt;&lt;strong&gt;&lt;span style="font-family: comic sans ms,sans-serif; color: #0000ff; font-size: small;"&gt;(festival jazz Setúbal 08)&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p style="text-align: center;"&gt; &lt;/p&gt;
&lt;p style="text-align: center;"&gt; &lt;/p&gt;
&lt;p&gt;&lt;iframe src="http://www.youtube.com/embed/Fy2VkoCSJbc" width="538" height="343" frameborder="0"&gt;&lt;/iframe&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1502506</id>
    <author>
      <name>João Machado</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1502506.html"/>
    <issued>2012-05-15T22:00:50</issued>
    <title>Globalização e Desindustrialização - 4ª Série</title>
    <published>2012-05-15T15:57:21Z</published>
    <updated>2012-05-15T15:57:21Z</updated>
    <category term="eua"/>
    <category term="emprego"/>
    <category term="cadeia de produção"/>
    <category term="desindustrialização"/>
    <category term="sandile hlatshwayo"/>
    <category term="economia"/>
    <category term="globalização"/>
    <category term="michael spence"/>
    <category term="júlio marques mota"/>
    <category term="comércio internacional"/>
    <category term="deslocalização"/>
    <content type="html">&lt;div class="title" style="text-align: justify;"&gt;&lt;span style="color: #993300;"&gt;&lt;strong&gt;&lt;span style="font-size: medium;"&gt;Selecção e tradução por Júlio Marques Mota&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="posttext" style="text-align: justify;"&gt;
&lt;div class="posttext"&gt;
&lt;div class="posttext"&gt;
&lt;div class="posttext"&gt;
&lt;div class="posttext"&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="color: #993300;"&gt;&lt;strong&gt;&lt;span style="font-size: medium;"&gt;Capitulo IV. 1. Bens e serviços negociáveis e não negociáveis no quadro da economia global: o caso da economia americana. Por Michael Spence e Sandile Hlatshwayo  - VI&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: small;"&gt;&lt;em&gt;(continuação)&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style="font-size: medium;"&gt;Emprego no sector dos não negociáveis&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Os grandes sectores dentro do agrupamento dos não negociáveis são o governo, a saúde, as vendas a retalho, os serviços de alojamento/alimentação (i.e., hotéis, restaurantes e hotelaria) e a construção (ver Figura 6). Em 2008, estas actividades representavam cerca de 73,5 milhões de empregos, cerca de 64% do emprego total que se verificava  no sector dos bens e serviços não comercializáveis e aproximadamente cerca de 50 por cento de toda a economia. Em conjunto, os 5 principais sectores dos não  comercializáveis contribuíram com 65 por cento da variação  total de postos de trabalho a partir de 1990 para 2008.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;O Governo, em todos os níveis, é o maior empregador do sector dos não comercializáveis e representa um pouco mais de 22,5 milhões de empregos em 2008. Os cuidados de saúde é claramente o segundo sector mais importante do grupo dos não negociáveis tendo no fim do período atingido um  total de 16,3 milhões. Em termos de acréscimos, o crescimento do emprego nos  cuidados de saúde foi  de 6,3 milhões de empregos e está portanto no  topo da lista quanto ao volume de emprego adicional criado,  enquanto que o total criado pelo  lugar governo o situa em segundo pois o seu acréscimo em volume de empregos foi  de 4,1 milhões. Estes dois acréscimos juntos valem quase 40% do emprego total líquido criado adicionalmente na economia desde 1990. Para uma discussão posterior, notemos que o emprego criado a nível governamental não é principalmente impulsionado pelas forças de mercado, e os cuidados de saúde é algo de relativamente híbrido. As forças de mercado trabalham na área da saúde, mas com grandes assimetrias ao nível da informação e com uma  substancial participação pública no lado da procura e na regulação. Tanto no governo como no sector dos cuidados de saúde, há pelo menos algumas questões a colocar sobre a sua capacidade futura em ser o principal impulsionador do crescimento do emprego.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;As Figuras 6 e Figura 7 mostram as tendências no sector dos bens e serviços não comercializáveis. Elas incluem componentes não comercializáveis de sectores como as finanças e  os seguros, mesmo que a maioria destas indústrias sejam  negociáveis. Para garantir que os dados são vistos no seu contexto, as indústrias que não são predominantemente ou não são totalmente comercializáveis incluem  um asterisco. Não temos até este momento forma de isolar o crescimento do emprego ou o seu declínio em subcomponentes negociáveis e não negociáveis de um sector ou indústria que é uma mistura dos dois grandes agregados em que estamos agora a analisar a economia.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Podemos, portanto, simplesmente ligar o aumento ou diminuição do emprego (ou depois, o do  valor acrescentado) ao grande agregado dos  bens e serviços negociáveis ou  não negociáveis com base na proporção da  indústria que é estimada estar em cada um dos dois agregados.6 Isto é improvável ser  preciso, pelo menos para as situações de declínio ; os declínios são mais prováveis de ocorrer no subcomponente dos negociáveis. As reduções na parte dos não comercializáveis, portanto, não devem ser tomadas muito a sério. Felizmente, elas são relativamente pequenas e não afectam substancialmente o quadro geral.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/joaompmachado/fotos/?uid=fultUBqyKVcpHwAzPUsc"&gt;&lt;img style="border: 0 none;" src="http://c2.quickcachr.fotos.sapo.pt/i/B0d09e0a2/12292251_55evQ.png" alt="" width="500" height="612" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p id="SAPORTECursorMarker9938"&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Para facilitar a visualização destas tendências, as indústrias mais pequenas do agrupamento dos bens e serviços não comercializáveis têm uma escala diferente e estão incluídas na Figura 7. Mais uma vez, o leitor poderá notar que certas categorias — como Industria Transformadora III que na sua maior parte são mercadorias negociadas internacionalmente e são mercadorias intensivas em  capital tais como a maquinaria pesada — incluem também  um componente não negociável .&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Figure 7. Nontradable Industry Jobs, 1990–2008 (Minors)8&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Source: Authors’&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/joaompmachado/fotos/?uid=b5rYWoFVZIIur7LP4Ic3"&gt;&lt;img style="border: 0 none;" src="http://c5.quickcachr.fotos.sapo.pt/i/Bd70644e1/12292258_YhonU.png" alt="" width="482" height="500" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p&gt;&lt;span style="font-size: small;"&gt;&lt;em&gt;(continua)&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1425757</id>
    <author>
      <name>Carlos Loures</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1425757.html"/>
    <issued>2012-05-15T21:00:22</issued>
    <title>“CARTA  de  VENEZA  - 8 -   por Sílvio Castro</title>
    <published>2012-05-02T17:00:23Z</published>
    <updated>2012-05-15T09:32:15Z</updated>
    <category term="carta de veneza"/>
    <category term="sílvio castro"/>
    <category term="ana hatherly"/>
    <content type="html">&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;“ Poemas brasileiros de Ana Hatherly” &lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;O que aqui chamamos de “poemas brasileiros” de Ana Hatherly são composições que formam aquela parte de um de seus últimos livros de poesia, Itinerários (Edições quasi, Vila Nova de Famalicão, 2003), composições essas inseridas na Parte III do dito volume com a denominação geral de “Evocação do Brasil”, por um total de dezesseis poemas. Sendo poemas de viagem, mostram-se igualmente mais que isso: são as reconquistas de sentimentos de lugares, pessoas e coisas sempre vividas de longe.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Ana Hatherly, ex-professora de “literatura portuguesa” da Universidade de Lisboa, especialista do barroco e uma das mais ativas vozes da poesia portuguesa contemporânea, está igualmente ligada à pesquisa da modernidade poética brasileira pela grande adesão que sempre deu à poesia experimental do movimento concretista, sendo ela uma das figuras centrais da poesia visiva em Portugal. Na sua obra ligada à “poesia visual”, podemos citar: Mapas da imaginação (1973), A reivenção da leitura (1975), O escritor (1975), Escrita natural (1988). Ao lado dos presente Itinerários, a lírica de Ana Hatherly está em outros vinte-e-um volumes, desde o primeiro, Um Ritmo Perdido (1958), até Théatres de la Parole, Paris, Vallongues, 2002 (Prix Evelyne Encelot).&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Em seguida, sob a total responsabilidade de meu gosto pessoal (mas igualmente de outras razões muito menos poéticas...), apresento uma amostra da riqueza desses poemas brasileiros da autora portuguesa.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;EM IPANEMA&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;(Já não muito garota…)&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;“.......................................&lt;wbr /&gt;........&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;II&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;O Brasil é um país da natureza&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;parece a Grécia nisso.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;O que é da terra é gente&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;seja planta bicho ou monte.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Cada monte é um gigante que  sente&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;tudo é do gigantesco ente.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Cada folha sente&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;é um leque rente.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;O gigante dormente&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;meio mergulha na lagoa que sente&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;entre mar e gente&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;entre ar e ente.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Na cidade&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;a favela transborda de gente:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Quando irão descer sobre a outra gente?&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;III&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;O bairro é Ipanema&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;a rua é Pirajá&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;a árvore amendoeira&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Amendoeira? indaguei descrente&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;(pensei no Algarve&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;na neve da lenda) –&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Nesta amendoeira as folhas são enormes&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;as páginas são volumes&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;É Inverno&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Julho, mês de Júlio e Império&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;(sou um ser cultural)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Passeio e olho:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;nas árvores há folhas vermelhas&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;não são folhas são frutas abertas&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;largas romãs reais&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;(penso: é uma pintura fauve).&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Passeio e olho:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;as plantas – que fortes! –&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;parecem bichos&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;animais robustos&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Suas raízes devem ser enormes&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;........................................&lt;wbr /&gt;.....................&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;V&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Ó Ipanema&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;não posso resistir:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;É de manhã&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;quero ser um naïf!&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Ipanema é canção de muita gente&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;                  rua  cheia&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;                praia  cheia&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;                   lua  cheia&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;     tenho a alma  cheia de gente&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;                 tudo  anda&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;               gente  anda&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;               carro   anda&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;               corpo  mexe &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;                anca dança&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;tenho a alma numa balança&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;                sobe  desce&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;               corre   passa&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;               volta      vira&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;               olha      mira&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Sou criança&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;quero entrar na dança&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;........................................&lt;wbr /&gt;............&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;XI&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;A terra é tua&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;cai&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;deixa-te cair&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;deixa deixar-te&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Cede&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;é cedo ainda&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;A terra erra&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;       sem erro”&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;EM BRASÍLIA&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;“.......................................&lt;wbr /&gt;..&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;III&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Canto-te&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;vou ser o teu cantor&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;deslumbrado e obsoleto&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Canto-te&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;e estou morrendo&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;em tua nascença&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;minha herança&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;minha longínqua linhagem&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Canto-te&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;estou no chão&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;de tuas torres.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;deito-me sobre ti&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;e despeço-me”&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;  A jovem investigadora universitária italiana de literatura portuguesa, Simonetta Masin, igualmente poetisa e tradutora de poesia, tem pronto um volume com a tradução para o italiano – completado com um estudo introdutório - do livro de poemas de Ana Hartherley, A Néo-Penélope.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1500236</id>
    <author>
      <name>Carlos Loures</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1500236.html"/>
    <issued>2012-05-15T20:00:38</issued>
    <title>FADOS, DE CARLOS SAURA - por Moisés Cayetano Rosado</title>
    <published>2012-05-14T21:18:24Z</published>
    <updated>2012-05-14T21:18:24Z</updated>
    <category term="carlos saura"/>
    <category term="moises cayetano rosado"/>
    <category term="fado"/>
    <content type="html">&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;El fado fue elevado por la UNESCO a Patrimonio Inmaterial de la Humanidad en 2011. Dos años antes había sido el tango, y en el medio el flamenco. Así, esta trilogía de canciones urbanas, portuarias, marginales en sus comienzos, nostálgicas, profundas y desgarradas, se reafirmaron como referencia universal; algo que ya lo eran para millones de personas que han vibrado y vibran con la profundidad y la elegancia de unas composiciones populares que detrás suelen tener los versos de los poetas más profundos de sus tierras respectivas y a la vez más populares, así como magníficas composiciones para guitarras, bandoneones, acordeones y violas, después diversificados en todo tipo de instrumentos musicales.&lt;/span&gt;&lt;/p&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/carlosloures/fotos/?uid=zSQYhu79Tfjff36Ep2CW"&gt;&lt;img style="border: 0px currentColor;" src="http://c1.quickcachr.fotos.sapo.pt/i/B83063227/12288572_mhlDa.jpeg" alt="" width="450" height="429" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;El director de cine Carlos Saura tuvo el acierto de  filmar en 1995 su película “Flamenco”, que fue todo un alarde de puestas en escenas, de color y movimiento. En 1998 haría lo mismo con “Tango”, ese latido argentino tan influenciado por los ritmos europeos del Mediterráneo, desde donde llegaron incontables emigrantes, con la añoranza de su tierra. Después, en 2007, llegaría “Fados”, que aún late caliente en las filmotecas y videoclubs.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;“Fados” resulta ser un homenaje  sorprendente al “alma portuguesa”, tan abierta al mundo y tan concentrada a la vez en sus pequeñas cosas que resultan ser tan trascendentes. Atenta al amor íntimo, pero también abierta a la solidaridad; dolorida con la tremenda soledad del marginado; esperanzada a veces, pero aún más desalentada con la visión del mundo que nos toca vivir. Y sobre todo, tan palpitante de humanos sentimientos, necesitados de comunicarse a los demás.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;En la película, se hace un dinámico recorrido histórico por el fado. Y ahí está la emocionante voz de Maria Severa, envuelta en el mito romántico “maldito” de mediados del siglo XIX, con tanto sufrimiento de por medio. El suave y elegante latir de Alfredo Marceneiro, tan humilde en su expresión y tan profundo y cautivante. O la inolvidable Amália Rodrigues, con su belleza clásica y su voz que se arrastra por el alma. O los grandes de ahora: Carlos do Carmo, Camané, Mariza, entre otros, de personalidades tan distintas y a la vez gigantescas.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Tampoco deja atrás Carlos Saura la evocación de Zeca Afonso, con imágenes extraordinarias del 25 de Abril, en tanto oímos Grândola, Vila Morena: siempre se pondrán los pelos de punta viendo a ese pueblo entusiasmado, oyendo a ese cantor de tanta calidad y calidez… ¡Qué comunión perfecta en la revuelta digna!&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Pero el cineasta introduce en su historia otros ritmos, otras influencias, otros “toques musicales” y danzas que son un contrapunto al tiempo que un complemento enriquecedor: los bailes y cantos brasileños y africanos (la inevitable presencia colonial, en esto afortunada), de entre los que quiero destacar la voz aterciopelada, plácida, serena de Cesaria Évora, todo un remanso de paz y de melancolía. Y en esos contrapuntos, notas de color en un vestuario vivo y variado; en unas danzas vitalistas, llenas de ritmo y alegría, para “compensar” la quietud melancólica del canto lusitano, que alcanza lo sublime cuando lo filma en una “Casa de fados” de Alfama, mostrando la esencia espontánea y generosa del “fado vadio”.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;No falta tampoco la fusión con el flamenco, aunque sí echo de menos un “apunte” al “fado de Coimbra”, que hubiera completado con brillantez el repertorio.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;En cualquier caso, el sabor que deja la película es mucho más que grato: conmovedor, fiel a lo que el fado significa, a lo que el alma del pueblo lusitano lleva dentro: música serena, poesía, reflexión sensata sobre el paso de la vida, “saudade” en lo más íntimo y capacidad de rebelión masiva cuando se hizo imprescindible (¿vuelve a serlo en estos nuevos momentos de injusta crisis promovida por los que hacen al pueblo víctima de la misma?).&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Posiblemente la mejor de la trilogía, “Fados”, coproducción portuguesa-española, nos ofrece 90 minutos de buen cine, que los amantes del mismo, y de la música y cultura portuguesa, no deben dejar en el olvido. Hay que verla para aprender, comprender y disfrutar.&lt;/span&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1493560</id>
    <author>
      <name>Carlos Loures</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1493560.html"/>
    <issued>2012-05-15T19:00:10</issued>
    <title>OS MEUS MESTRES - 10 - por Dorindo Carvalho</title>
    <published>2012-05-13T16:19:59Z</published>
    <updated>2012-05-15T09:33:08Z</updated>
    <category term="os meus mestres"/>
    <category term="david mourão-ferreira"/>
    <category term="dorindo carvalho"/>
    <content type="html">&lt;p&gt; &lt;/p&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/carlosloures/fotos/?uid=KafHdTOlvslBwl9IzSUr"&gt;&lt;img style="border: 0px currentColor;" src="http://c10.quickcachr.fotos.sapo.pt/i/B37085bcb/12278201_rrLbV.jpeg" alt="" width="580" height="146" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p&gt;&lt;span style="color: #800000; font-size: large;"&gt;&lt;em&gt;                    &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color: #800000; font-size: large;"&gt;&lt;em&gt;                    Entre missas e mísseis teus irmãos &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color: #800000; font-size: large;"&gt;&lt;em&gt;                    Entre medos e mitos teus amigos &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color: #800000; font-size: large;"&gt;&lt;em&gt;                    Entretanto entre portas tu contigo &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color: #800000; font-size: large;"&gt;&lt;em&gt;                    entretido a sonhar como eles vão&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="color: #800000; font-size: large;"&gt;&lt;em&gt;                    Entre que muros moram suas mãos &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color: #800000; font-size: large;"&gt;&lt;em&gt;                    Entre que murtas montam seus abrigos &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color: #800000; font-size: large;"&gt;&lt;em&gt;                    Entre quem possa ver deste postigo &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color: #800000; font-size: large;"&gt;&lt;em&gt;                    entre que morros morrem de aflição&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="color: #800000; font-size: large;"&gt;&lt;em&gt;                    Entre murros enfrentam-se os mais tristes &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color: #800000; font-size: large;"&gt;&lt;em&gt;                    Entre jogos ou danças proibidas&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color: #800000; font-size: large;"&gt;&lt;em&gt;                    entre Deus e a droga os menos fortes&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="color: #800000; font-size: large;"&gt;&lt;em&gt;                    Entre todos e tu vê o que existe &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color: #800000; font-size: large;"&gt;&lt;em&gt;                    Entreacto em comum somente a vida &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color: #800000; font-size: large;"&gt;&lt;em&gt;                    Entre tímidas aspas já a morte&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Escolhi este soneto entre a vasta obra de David Mourão-Ferreira, não exactamente ao acaso mas, precisamente porque gosto. Também não foi eleito com o sentido de fazer uma análise do poema e muito menos da sua obra.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Não o saberia fazer. Não será fácil falar de obra tão avultada e de tanto mérito.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Incluí neste texto um soneto de David Mourão-Ferreira para ilustrar as minhas palavras de mais um MESTRE. Meu e de tantos.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;David Mourão-Ferreira licenciou-se em Filologia Românica em 1951. &lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Foi professor do ensino técnico e do ensino liceal e depois iniciou a sua carreira de professor universitário na Faculdade de Letras de Lisboa. &lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Afastado desta actividade entre 1963 e 1970, por motivos políticos. Foi professor catedrático convidado da mesma instituição a partir de 1990. Simultaneamente manteve nos anos 1960 programas culturais de rádio e televisão. &lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Foi secretário-geral da Sociedade Portuguesa de Autores e, mais tarde, presidente da Associação Portuguesa de Escritores. &lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Após o 25 de Abril de 1974 foi Secretário de Estado da Cultura em vários governos entre 1976 e 1978. A partir de 1981 é Responsável pelo Serviço de Bibliotecas Itinerantes e Fixas da Fundação Calouste Gulbenkian, e dirigiu a revista Colóquio/Letras, da mesma instituição&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;A sua carreira literária teve início em 1945, com a publicação de alguns poemas na revista Seara Nova, e em 1950, publicou o seu primeiro volume de poesia  Secreta Viagem.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Colaborou nas revistas Graal e Vértice e foi um dos co-fundadores da revista literária Távola Redonda. Igualmente colaborou com vários jornais, como o Diário Popular e O Primeiro de Janeiro, e foi também director-adjunto do jornal O Dia e director do jornal A Capital. &lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Na sua poesia é assinalada as presenças constantes da figura da mulher e do amor, sendo considerado como um dos poetas do erotismo na literatura portuguesa. &lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;A vivência do tempo e da memória são também constantes na sua obra, assinalada por uma procura rigorosa de equilíbrio, de força lírica, de grande riqueza rítmica e melódica que fazem dele um clássico da modernidade&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Para além de quase duas dezenas de títulos publicados em poesia, como ensaísta teve também diversas obras notáveis, e igualmente &lt;/span&gt;&lt;span style="font-size: medium;"&gt;na ficção narrativa estreando-se em 1959 com Gaivotas em Terra. &lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Alguns textos seus foram adaptados à televisão e ao cinema, e foi ainda autor de poemas para fados, muitos deles celebrizados por Amália Rodrigues, tal como, Maria Lisboa, Nome de Rua, Fado Peniche, Barco Negro, Madrugada de Alfama entre outros.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Recebeu vários prémios pelas suas obras como o Prémio de Carreira da Sociedade Portuguesa de Autores e foi condecorado com a Grã-Cruz da Ordem de Santiago da Espada.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Poeta, ficcionista, ensaísta, professor, crítico, divulgador, tradutor e dramaturgo, são os aspectos que caracterizam o trajecto de um homem que deixou marca por onde passou e nas pessoas que conheceu. &lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Eu conheci o David Mourão-Ferreira em Caracas, já muito tempo depois de conhecer a sua obra.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Em 1990, foi a vez de ele ter sido convidado pelo Instituto Português de Cultura de Caracas para as manifestações do Dia de Portugal. Como era habitual para com os convidados, foi constante a minha companhia. &lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Ficámos amigos.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Até que, na cama do hospital me prometeu escrever um texto para um catálogo de uma exposição minha. Já não lhe foi possível escrever.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/carlosloures/fotos/?uid=CNSzc1imqqGBhhZfD4BA"&gt;&lt;img style="border: 0px currentColor;" src="http://c3.quickcachr.fotos.sapo.pt/i/B0e09703b/12278187_YWSJG.jpeg" alt="" width="580" height="301" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1495756</id>
    <author>
      <name>Augusta Clara</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1495756.html"/>
    <issued>2012-05-15T18:00:34</issued>
    <title>Sul - Hélia Correia  </title>
    <published>2012-05-14T02:18:42Z</published>
    <updated>2012-05-15T10:39:07Z</updated>
    <category term="conto"/>
    <category term="jardim das delícias"/>
    <category term="adão cruz"/>
    <category term="hélia correia"/>
    <content type="html">&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/augustaclara/fotos/?uid=tAQ7MSzn676I47Y026tC"&gt;&lt;img style="border: 0 none;" src="http://c2.quickcachr.fotos.sapo.pt/i/B03084a4a/12282701_nlu3J.jpeg" alt="" width="600" height="117" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt; &lt;/div&gt;
&lt;p style="text-align: center;"&gt; &lt;/p&gt;
&lt;p style="text-align: center;"&gt;&lt;span style="color: #0000ff; font-family: comic sans ms,sans-serif; font-size: x-large;"&gt;Hélia Correia  &lt;strong&gt;Sul&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: center;"&gt; &lt;/p&gt;
&lt;p style="text-align: center;"&gt; &lt;/p&gt;
&lt;p style="text-align: center;"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/augustaclara/fotos/?uid=JyO5VBHuZg94f8hGEl6l"&gt;&lt;img style="border: 0 none;" src="http://c4.quickcachr.fotos.sapo.pt/i/B63092952/12282700_J8v4I.jpeg" alt="" width="600" height="418" /&gt;&lt;/a&gt; &lt;/p&gt;
&lt;p style="text-align: center;"&gt;&lt;span style="color: #0000ff; font-family: comic sans ms,sans-serif; font-size: small;"&gt;&lt;strong&gt;(Adão Cruz)&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Aquele não era o som da peste, &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;pensou Joan. Não tinha, com&lt;/span&gt;&lt;span style="font-size: medium;"&gt;o&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt; têm os lamentos, uma direcção certa; não buscava &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;um efeito con­tra as portas cerradas do céu &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;e do inferno. Havia um brado, a rou­quidão de um esforço. E um emaranhado de &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;rumores que lhe seria fácil ordenar, pegando-lhes nas pontas um a um, isolando &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;as ca­madas de modo a poder dar-lhes &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;um nome e um motivo. Nada, po­rém, gerado pela terra costumava &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;merecer-lhe uma atenção.&lt;/span&gt;&lt;/p&gt;
&lt;div style="text-align: justify;"&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;No seu &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;terraço, olhava para as estrelas. E estava ali &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;faziam tan­tos anos que nem mesmo o mais velho dos &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;vizinhos se lembrava de o ter visto chegar. Visitavam-no às vezes mancebos de &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;liteira e ve­lhos que tremiam nos seus gibões escarlates. &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Mas também os pei­xeiros e mesmo os que viviam nos cantos das ruelas na &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;esperança de um frete ou de um bom roubo trepavam pela escada em caracol que &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;os conduzia até Joan de Sória para que ele decifrasse na von­tade dos astros que fortuna aguardava os seus &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;recém-nascidos. Era uma espécie de &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;revolução o facto de um plebeu e até um vadio po­derem consultar para os &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;seus filhos os livros de uma ciência que passara de credo a credo e de regime &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;para regime porque a todos servira sem um &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;estremecimento.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;O povo &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;amava e alimentava Micer Joan, mas uma coisa e outra às &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;escondidas. Quando, ao raiar do sol, ele se encostava sobre o grande baú que era o seu leito, via poisada no &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;tijolo da braseira uma escudela &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;cheia com as papas de milho e às vezes a cabeça de um peixe a fumegar. Entre as &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;mulheres que o assistiam e as fadas. Joan &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;não encontrava substancial diferença. Mesmo no fim das noi­tes de maior &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;lucidez em que a doce tontura do cansaço era o mais desejado &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;dos prazeres ele encharcava a cara e bocejava, sentava-se a comer com ruidosas exclamações &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;de apreço para as não ofender nos seus desvelos.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Pelo &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;contrário, os nobres queriam-lhe um certo mal &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;pois os de­sastres de que os avisara haviam quase todos sucedido. E não sabiam se Micer Joan lhes dera a &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;conhecer os seus destinos traçados muito antes de eles nascerem, no início das eras do universo, pela mão que aprecia e distribui a dor — ou se, com nomeá-los, ele é &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;que os ins­crevia numa folha que Deus deixara limpa mas &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;não suficientemente resguardada. A curiosidade e o medo eram, no entanto, mais &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;fortes que essa dúvida e os fidalgos, já que Joan de &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Sória recusava sair ain­da que fosse o rei a &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;convocá-lo, vinham vê-lo na plena luz do dia. sem o menor disfarce, levando à &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;frente os moços que se davam os braços para não escorregarem nas podridões da rua e recolhendo as capas que corriam o risco de lhes ficarem presas nos varandins de tábua, mais &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;baixos do que os ombros de qualquer cavaleiro. Não queriam revelar a repugnância com que se sujeitavam a buscá-lo.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Micer Joan gostava daqueles bairros. E, do seu torreão de adobe e pedra, pairava sobre o peso, a sujidade, &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;as tarefas despóticas dos homens. Mentia um pouco, o menos que podia, &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;somente o neces­sário para os aliviar &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;quando estavam a ponto de lançar fogo às ca­sas num grande desespero.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
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&lt;a name="cutid1"&gt;&lt;/a&gt;&lt;div class="ljcut" text="Ver mais..."&gt;
&lt;div style="text-align: justify;"&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Aos ricos, ensinava a mastigar raiz de angélica durante essas via­gens em que andavam de um lado para o outro, sempre ao longo dos rios, para fugir à peste. Falava-lhes da &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;pedra-besoar que cura­va os flagelos se bebida desfeita numa &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;água-rosada, por meio de caniço, pois se &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;tocasse os dentes os reduzia a pó. Para os lados da Pérsia, dizia, é que as há muitas, no estômago dos &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;bodes. Isto dava--Ihes força para se manterem vivos enquanto os &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;emissários iam e regressavam de mãos vazias &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;ou com um seixo verde-escuro na bol­sa. No entretanto, os ares &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;desinfectavam-se.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Aos &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;vizinhos, nos dias de maior desconsolo, descrevia um lugar que havia ao sul &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;onde não existia nem morte nem justiça, de modo que &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;podia roubar-se o vinho doce, penetrar num palácio, arrotar e dormir em sedas amarelas sem que daí viesse algum &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;castigo. Está nos astros, dizia, e &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;não tarda já muito, que grandes barcas cons­truídas por uns homens em cujas ventas Deus há-de soprar se me­tam pelas águas a caminho. E por cima do mar &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;nadarão elas, le&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;vando &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;todo aquele que quiser ir. Ah, meus filhos, dizia, em certas noites, quando o &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;vento é quente, um ouvido apurado dá-se conta de como &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;ri a gente dessa terra!&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;O prior &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;de Ribamar que o receava, porém, não conseguia deixar de &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;frequentá-lo, dava-lhe a entender o que havia de ímpio naque­las descrições. &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Queria que ele visse o perigo de lhes fornecer so­nhos em que a moral falia. Quem sonha não planeja, retorquia Joan. &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Estai-me vós todos gratos porque lhes levo as ânsias lá para o fim do mundo, onde tudo o que existe é a maré &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;fervente que abre horrendos abismos na sua ebulição. Morrem eles f&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;elizes; vós ou­tros, sossegados. Dizei se é &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;caro o preço à fantasia.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Tudo isso nada era nas noites estreladas, quando Joan enfrenta­va o aço e a mudez dos corpos &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;luminosos. Então, os sons da terra tinham de produzir-se durante muito tempo, &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;tinham de ir engros­sando e trepando as paredes como um aluvião até que ele os &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;ou­visse e desviasse os olhos.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Eram os duradouros gritos da multidão &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;— porque as pequenas queixas de um assalto, um &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;apunhalamento debaixo das arcadas ou mesmo &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;os empurrões mortais dos bêbados, tudo se desfazia aos rés da rua e não durava mais do que uma prece.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;O som &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;daquela noite tinha, pois, densidade e persistência bas­tantes &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;para que Joan de Sória começasse a sentir-se levemente in­trigado.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Era o &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;som de um trabalho e ele imaginou um saque feito às pres­sas por cima de cadáveres. &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Viu que o céu recuava e os seus desenhos se &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;ocultavam por trás de uma mancha de luz. Era uma luz de tochas que ondulava e &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;parecia levantar o casario. Joan pôs pelos ombros o seu velho tabardo, num cuidado excessivo porque estava &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;calor.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Nem as &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;moscas dormiam, pensou Joan enquanto patinhava por sobre a imundície. Os despejos, a urina e as fermentações brilhavam &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;como pedras de carbúnculo. Só na segunda esquina onde a rua, mais larga, já deixava passar a custo uma carroça, é que &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;avistou aquele rio de homens que passava levando as costas porcos e barris. Al­guns reconheceram-no e saudaram-no. As crianças tentavam &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;trepar por eles acima. Uma ou outra, mais rápida nas soluções da vida, ia dependurar-se num telhado para alcançar com a mão os &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;pães e a carne seca que as mulheres carregavam à cabeça. Mas era desco­berta e &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;apeada, e depois perseguiam-na um pouco, por chacota.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;— Ah, Micer, que lhe dizem as estrelas? — Ele conhecia aque­&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;la voz meio rouca. Era Fernando Bom, o &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;taberneiro. Transpirava &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;ainda mais do que o costume e não tirava os &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;olhos do desfile, co­&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;mo se o seu interesse os empurrasse.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;— Isto que é? — perguntou Joan de Sória.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;— Isto é o carregarem-se os navios. Micer, cá vamos todos &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;para &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;o sul. Para lá do mar das trevas, para fora &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;das atenções de Deus.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;— Ele está em toda a parte — disse Joan.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;— Isso veremos — disse o taberneiro. E prosseguiu o seu &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;cami­&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;nho para cima, atrás de um carro onde homens &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;de lenço nas cabe­&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;ças baloiçavam ao ritmo de uma canção dos portos.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Joan &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;acompanhou-os, fascinado. O chão luzia e borbulhava sob &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;os pés. E em todos aqueles rostos, aqueles corpos, podia ver-se a carne transparente, o pulsar vigoroso das entranhas. &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Parou junto à capela de madeira onde as mulheres com vícios iam pedir perdão. Ardiam duas velas de sebo no portal. O calor &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;entortara-as e tinham--se inclinado uma para a &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;outra, como na troca de uma confidência. Dentro, no meio das sombras, ouviu &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;risos. Não conseguiu fazê-lo com muita precisão, mas com &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;certeza tudo se relacionava.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Tudo o &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;que acontecia na cidade convergia ou provinha daquele movimento — e os que, naquele instante, entregavam a alma, ou os pestiferados nos seus catres, ou as mulheres paridas &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;mastigando o seu pão, sentiam esvoaçar-lhe o pensamento &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;para fora, para a noi­te onde os homens corriam, descalços, de joelhos dobrados &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;sob a carga.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;— Micer, que lhe disseram &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;as estrelas?&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Conhecia &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;o rapaz que se deteve, pousando as mantas que levava às costas. Não sabia o seu nome, porém vira-o esmolar, &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;depois crescer e encolerizar-se, como a tantos rapazes do seu bairro. Ele &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;abria-lhe os grandes olhos claros que o fumo ou a bebida averme­lharam.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;— Sempre a direito para o sul, não &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;é?&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Joan &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;sorriu. Todos os seus vizinhos acreditavam nessa amável história. Com ela os consolara anos e anos, dando &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;fuga aos espíri­tos para longe dos seus destinos vis e malcheirosos. Ah, sim, &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;fala­ra mesmo de perfumes, de árvores que cantavam; de guardas que dormiam seis meses noite e dia e que só acordavam para &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;se espre­guiçarem e passarem azeite pelas lanças para &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;que o relento as não &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;enferrujasse &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;durante o novo sono de seis meses. Agora iam chamar-lhe mentiroso; e os que &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;conseguissem regressar acabariam por se rir com ele, bêbados, com direito a dar achegas. Um ou ou­tro viria pedir contas, quebraria uma bilha ou um cadinho &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;para que Joan de Sória estremecesse e os confortasse na desilusão. E um de­les seria aquele rapaz.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;— Que lhe disseram as estrelas, hã?&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;— Nada, moço. Não querem saber disto.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;O rapaz começou a soluçar. Chorava &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;baixo, com os ombros en­costados à nudez da capela. &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Alguns homens pararam a olhá-los.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;- Para que é esta corrida — disse &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Joan — assim, de noite, co­mo os meliantes?&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;— São as pressas dos &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;príncipes — respondeu um, aliviando a corda &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;que lhe passava em volta do pescoço. O seu fardo subiu e abateu-se e dele escorreu um sumo esbranquiçado. Tinha &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;uma va­ga forma de animal.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;—  O que eu queria, Micer — disse o rapaz — era poder esco­&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;lher os pensamentos. Porque há gente que fala &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;de ouro e das mara­ &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;vilhas. E depois vêm outros com agoiros.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;—  Anda rapaz. Quem pensa, não embarca — disse o homem do &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;odre. — A mim, senhor, o que me tira o sono é&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt; temer que chegue­&lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;mos à bordinha do mundo e a maré nos &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;empurre, entende? E não &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;ter tempo para &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;virarmos.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Joan pousou os dedos no cabelo do rapaz. Ele sacudiu-se e car­regou as suas mantas.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;— Pode até suceder — gritou Joan — que este &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;mundo se venha a revelar redondo como um &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;fruto e ninguém lhe conheça um prin­cípio &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;ou um fim!...&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;Os homens tinham retomado a marcha mas ouviram-no bem e inclinaram-se, &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;batendo os pés no chão, as gargalhadas. No meio deles, a cabeça doirada do rapaz elevava-se um pouco, &lt;/span&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;mais sere­na. Buscou-o com os olhos e sorriu.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-family: arial,helvetica,sans-serif; font-size: medium;"&gt;— Sempre a direito para sul — confirmou Joan.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="color: #0000ff; font-family: comic sans ms,sans-serif; font-size: small;"&gt;(&lt;em&gt;in&lt;/em&gt; &lt;strong&gt;Contos&lt;/strong&gt; de Hélia Correia, Relógio d'Água)&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style="font-size: large;"&gt;&lt;strong&gt;&lt;span style="color: #0000ff; font-family: comic sans ms,sans-serif;"&gt;O que é ler? (III)&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;iframe src="http://player.vimeo.com/video/40832644?title=0&amp;byline=0&amp;portrait=0" width="400" height="300" frameborder="0"&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;/div&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1494091</id>
    <author>
      <name>oprazerdeexistir</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1494091.html"/>
    <issued>2012-05-15T17:00:35</issued>
    <title>A COMUNIDADE EM ACÇÃO ( intervenção em situações de risco e perigo ) por clara castilho</title>
    <published>2012-05-13T18:28:07Z</published>
    <updated>2012-05-13T18:28:07Z</updated>
    <category term="para o desenho da vida"/>
    <category term="clara castilho"/>
    <category term="criança em perigo"/>
    <category term="comunidade"/>
    <content type="html">&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt; &lt;/div&gt;
&lt;div class="saportecontainer saportepreserve" style="float: left;"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/claracastilho/fotos/?uid=bugj55NJO5QEfECO4Hw0"&gt;&lt;img style="border: 0px currentColor;" src="http://c4.quickcachr.fotos.sapo.pt/i/Bd9074673/10167984_IbZzI.jpeg" alt="" width="500" height="127" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;O &lt;/span&gt;&lt;span style="font-size: medium;"&gt;psicólogo &lt;strong&gt;Pedro Pereira&lt;/strong&gt;, &lt;/span&gt;&lt;span style="font-size: medium;"&gt;especialista em Intervenção Comunitária e Protecção de Menores, abrodou na &lt;strong&gt;III JORNADA DA CASA DA PRAIA - Crise e Mudança na Vida Emocional dos Jovens&lt;/strong&gt;, que se realizou no passado dia 12 na Fundação Gulbenkian, assuntos &lt;/span&gt;&lt;span style="font-size: medium;"&gt;relacionados com a intervenção em situações de risco e &lt;/span&gt;&lt;span style="font-size: medium;"&gt;perigo. Considera ele que as intervenções no âmbito da protecção à infância, &lt;/span&gt;&lt;span style="font-size: medium;"&gt;mais especificamente aquelas centradas no mau trato e na negligência, se devem &lt;/span&gt;&lt;span style="font-size: medium;"&gt;focalizar nos &lt;em&gt;processos&lt;/em&gt; subjacentes a &lt;/span&gt;&lt;span style="font-size: medium;"&gt;estas problemáticas, em lugar do foco nas tipologias das situações de perigo.&lt;/span&gt;&lt;/p&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: center;"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/claracastilho/fotos/?uid=T5kalEOeKjjrdOkCpt4e"&gt;&lt;img style="border: 0px currentColor;" src="http://c7.quickcachr.fotos.sapo.pt/i/B9f08217b/12279085_cAjWN.jpeg" alt="" width="163" height="200" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="saportecontainer saportepreserve" style="text-align: left;"&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;As &lt;/span&gt;&lt;span style="font-size: medium;"&gt;intervenções devem caracterizar-se por um carácter precoce, mínimo, &lt;/span&gt;&lt;span style="font-size: medium;"&gt;proporcional e actual, e potenciar a criação de condições para um &lt;/span&gt;&lt;span style="font-size: medium;"&gt;desenvolvimento integral saudável da criança. Para que tal seja possível, &lt;/span&gt;&lt;span style="font-size: medium;"&gt;torna-se necessário compreender o enquadramento legal sobre as situações de &lt;/span&gt;&lt;span style="font-size: medium;"&gt;perigo, em Portugal, dele ressaltando os aspectos que de forma mais pertinente &lt;/span&gt;&lt;span style="font-size: medium;"&gt;se ligam com as práticas preconizadas pelas ciências sociais e humanas no que &lt;/span&gt;&lt;span style="font-size: medium;"&gt;concerne à matéria em &lt;/span&gt;&lt;span style="font-size: medium;"&gt; apreço. Neste sentido, torna-se necessário incidir nos &lt;/span&gt;&lt;span style="font-size: medium;"&gt;conceitos de perigo, de bem-estar (constructo cada vez mais relevante face ao &lt;/span&gt;&lt;span style="font-size: medium;"&gt;enquadramento legal actual), de resiliência (processo que se desenrola no &lt;/span&gt;&lt;span style="font-size: medium;"&gt;espaço de &lt;em&gt;diálogo&lt;/em&gt; entre factores de &lt;/span&gt;&lt;span style="font-size: medium;"&gt;vulnerabilidade e de protecção), e ainda os modelos ecológicos (na medida em &lt;/span&gt;&lt;span style="font-size: medium;"&gt;que se perspectivam as situações de perigo como determinados por uma variedade &lt;/span&gt;&lt;span style="font-size: medium;"&gt;de factores sustentados por processos transaccionais a vários níveis de análise &lt;/span&gt;&lt;span style="font-size: medium;"&gt;na ecologia alargada das relações comunidade-pais-criança). A ideia transversal &lt;/span&gt;&lt;span style="font-size: medium;"&gt;a todo o sistema de protecção é, portanto, a de que a responsabilidade da &lt;/span&gt;&lt;span style="font-size: medium;"&gt;protecção das crianças e da promoção do seu bem-estar começa em todos nós, &lt;/span&gt;&lt;span style="font-size: medium;"&gt; enquanto indivíduos, e nos diversos serviços existentes nas comunidades &lt;/span&gt;&lt;span style="font-size: medium;"&gt;(escolas, centros de saúde, câmaras municipais, instituições particulares de &lt;/span&gt;&lt;span style="font-size: medium;"&gt;segurança social, etc.), reforçando-se a importância da adopção de acções &lt;em&gt;conscientes&lt;/em&gt; e sustentadas num verdadeiro &lt;/span&gt;&lt;span style="font-size: medium;"&gt;sentimento de coesão comunitária.&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;p&gt; &lt;a class="saportelink" href="http://fotos.sapo.pt/claracastilho/fotos/?uid=BoFNVrdnyMwFMb2CfDSa"&gt;&lt;img style="border: 0px currentColor; margin-right: auto; margin-left: auto; display: block;" src="http://c1.quickcachr.fotos.sapo.pt/i/B3006cfae/12279090_73S0H.jpeg" alt="" width="500" height="347" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Apresentou um modelo &lt;/span&gt;&lt;span style="font-size: medium;"&gt;conceptual sobre a conceptualização das situações de perigo, considerando-se &lt;/span&gt;&lt;span style="font-size: medium;"&gt;que a maioria dos factores associados às mesmas se encontra também associada, &lt;/span&gt;&lt;span style="font-size: medium;"&gt;mas negativamente, ao bem-estar, pelo que a sua influência pode expressar-se &lt;/span&gt;&lt;span style="font-size: medium;"&gt;num contínuo promoção-prevenção-protecção, isto é, enquadrada no contínuo &lt;/span&gt;&lt;span style="font-size: medium;"&gt;prevenção universal - prevenção selectiva - prevenção indicada.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p class="Default" style="text-align: justify;"&gt;Pedro Pereira é co-autor do livro “&lt;em&gt;Crianças em risco e perigo&lt;/em&gt;”, vol I e II, da editora Sílabo, e tem publicado um artigo nas Actas do VII Simpósio Nacional de Investigação em Psicologia Universidade do Minho: &lt;em&gt;Mau Trato à Criança: Factores de Vulnerabilidade e de Protecção – Guião de Conceptualização de Caso de Criança (6-11 anos) em Situação de Perigo.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt; &lt;/em&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:blogs.sapo.pt:atom1:aviagemdosargonautas:1491059</id>
    <author>
      <name>Carlos Loures</name>
    </author>
    <link rel="alternate" type="text/html" href="http://aviagemdosargonautas.blogs.sapo.pt/1491059.html"/>
    <issued>2012-05-15T16:00:41</issued>
    <title>EM COMBATE – 59 – por José Brandão</title>
    <published>2012-05-13T07:59:04Z</published>
    <updated>2012-05-14T22:20:26Z</updated>
    <category term="angola"/>
    <category term="josé brandão"/>
    <category term="guerra colonial"/>
    <category term="em combate"/>
    <content type="html">&lt;p style="text-align: center;"&gt; &lt;/p&gt;
&lt;p style="text-align: center;"&gt;&lt;span style="color: #800000;"&gt;&lt;strong&gt;&lt;span style="font-size: medium;"&gt;HISTÓRIAS DA GUERRA&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;div class="saportecontainer saportepreserve" style="float: right;"&gt;&lt;a class="saportelink" href="http://fotos.sapo.pt/carlosloures/fotos/?uid=n7UdvJJH2BwJtmJscG3S"&gt;&lt;img style="border: 0px currentColor;" src="http://c1.quickcachr.fotos.sapo.pt/i/B6808bd89/12289148_ARh3U.jpeg" alt="" width="340" height="421" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;«Fonseca aproximou-se da sentinela com a mesma facilidade com que um felino fila a presa que pretende caçar. Oprimiu a respiração, estava a dois passos do sacana. Num salto certeiro, a arma agarrada com as duas mãos, deu com o topo da coronha na nuca do bandido, que caiu como um tordo! Com o punhal, deu o golpe final àquele desgraçado. Os homens da secção seguiram atentamente os seus últimos gestos e avançaram no envolvimento das duas palhotas da entrada do acampamento inimigo. A surpresa foi fatal para os restantes quatro bandidos que tentaram fugir em tronco nu. Não deram sinal de rendição e os homens das secções posicionadas no enfiamento do trilho de acesso, dispararam as balas mortíferas que varreram tudo, com a rapidez de um relâmpago, perfuraram os corpos que foram caindo junto às palhotas.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;A densa vegetação que ladeia as palhotas prejudicava a vigilância, e os bandidos das palhotas do fundo fugiram para a mata. A experiência de outras situações semelhantes não aconselhava a perseguição no "escuro". E os pára-quedistas tomaram precauções... mas o capitão ordenou à secção do sargento Assis:&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;- Manda três homens vigiar a mata por detrás das palhotas, que nós vamos dar duas rajadas de aviso aos que fugiram, só para saberem que contamos com eles para a festa da noite...&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;À ordem do comandante, as rajadas cortaram as folhas e assustaram os homens do pelotão do alferes Oliveira que estavam nas palhotas do fundo. O capitão conferenciou com os outros oficiais e comentou:&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;- Os que fugiram não nos devem inquietar mais; mas vamos andar com redobrada atenção.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Era admirável a paciência daquele pessoal. Setenta homens de mochila às costas, com a fome a roer o estômago, e ninguém aproveitou para tirar uma ração e comer!&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Esta é uma guerra donde até os animais fogem... só ficaram as hienas e alguns mabecos para limparem o terreno de carne podre!&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Nos locais de perigo eminente, as probabilidades de ataques não deixam espaço para distracções e ninguém adormece; mesmo quando comem as suas rações, continuam vigilantes.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;- Os presos só dão chatices. – diz o Serôdio, enquanto abria a lata de atum.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Ainda não esqueceu o dia em que teve à sua guarda um prisioneiro que tentou fugir e o fez andar ligeiro da perna... dando-lhe com o capacete nos olhos para o acalmar!&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Se não era o sol escaldante a tolher a vida à malta do capim, eram as trovoadas com chuva de afogar os animais de perna curta. Mesmo assim, a fila de pirilau avançava no lamaçal e as botas afundavam-se nos sulcos escondidos na água lodosa que as enxurradas descarregavam para a picada. E quando os raios de sol começavam a secar os camuflados, saíam névoas de fumaça como se os corpos fossem tochas sem chama. Dois sons estridentes de um apito, saídos do meio da mata, puseram todo pessoal em sobressalto! Logo tomaram posições defensivas e vigiaram as árvores e os pontos mais sensíveis às emboscadas. Os minutos alongaram-se sem que se vislumbrasse qualquer movimento. Esta nova forma de comandar espantou os homens do capim; perceberam que os bandidos andariam à ordem do apito do chefe, uma novidade. Mas o som infiltrado na mata não abrandou a continuação da missão bem no meio da guerra, nem esmoreceu a vontade de vencer os obstáculos até ao regresso a Luanda.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;O grupo rompeu mata dentro, atravessando as linhas de água, simples ribeiras ou riachos. Umas a vau, deixando as botas a espichar, outras por cima dos troncos de árvores arrastados e atravessados nos riachos. Depressa apareceu o capim a ladear a vegetação rasteira e, algumas vezes, com clareiras alongadas. Foi curto o tempo para apreciar essas clareiras... as balas pareciam saraiva a bater nas árvores marginais à picada. Não fora a rapidez com que os homens da frente se abrigaram e o desastre seria bem maior do que na picada de Quicabo para as sete curvas.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;De repente, um gemido... e o Carmo contorcia-se com dores – fora atingido por duas balas. Duas secções fizeram o envolvimento pelo flanco mais arborizado, para recuperarem a acção de fogo da malta que ficou à mercê das balas inimigas. Os homens da secção do Abrantes rastejaram até à posição frontal para bater os terroristas. Mas o Vilela ficou ferido com uma bala no braço esquerdo, arrastou-se para um sulco do terreno e continuou a fazer fogo. O Carmo, com as calças ensopadas em sangue, virou-se de costas, ficando mais protegido, e o enfermeiro atendeu aos gemidos. Coisa grave, uma bala arrombou o escroto e os tomates ficaram desfeitos! Já em fase de acalmia, o capitão aproximou-se e, desagradado pelo poder de fogo do inimigo, murmurou:&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;- Há nove ou dez meses atrás, estes sacanas atiravam-se contra as balas e morriam às centenas; não encontrámos nem uma automática nos despojos dos mortos! Nos ataques que fizeram, durante dias a fio, contra a Damba, Quitexe, 31 de Janeiro, Bungo e outras povoações, foram recebidos a fogo duro e morreram aos magotes. Agora é isto... estão bem abastecidos! Virou os olhos para o tenente Aleixo, que entendeu a mensagem.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;- Vamos acabar com eles... e é para já. – exclamou o tenente, de semblante tenso.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Fez um sinal bem pronunciado ao sargento Ferraz para mandar contornar a pequena elevação de terreno e tentar apanhar os terroristas por trás... Enquanto a secção do Saldanha tomava uma boa posição de fogo e corria com os bandidos que restavam; e os gajos perderam a força e a graça das novas armas, dando uns tiros espaçados e à distância.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Mais de sessenta homens habituados a bater trilhos e picadas no meio das densas matas dos Dembos, Sacandica, Quimbele, serra de Mucaba e Inga, ficaram admirados com as novidades que os terroristas da UPA apresentaram. &lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;Ao contrário do que pretendem insinuar os chefes dos gabinetes do ar condicionado, que vão perdendo o aprumo, a guerra existia e com melhores meios para o inimigo! Sinal de que estava para durar...&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;O pelotão do tenente Aleixo ficou a proteger o pessoal na prestação de socorros aos feridos. O caso mais complicado era o do Carmo; mas o enfermeiro conseguiu estancar a hemorragia, injectando coagulantes. Foi bem atado com ligaduras a contornar a gaita... que ficou com um volume descomunal! O facto serviu para alguns comentários irónicos, uns mais pessimistas e outros menos. A malta sempre foi propensa a levar as coisas pela positiva, onde se destacavam os reguilas das bandas do Tejo a analisar a situação.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;- Eh pá, como é que o Carmo se vai safar com a gaja que deixou lá na terra? – indagou o Cacela, com toda a seriedade.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;- Lá terá de se mandar fora, ou arrisca-se ao tormento da cornadura sem conta e medida. – sentenciou o Baleia.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;O Sousa não gostou do que acabava de ouvir, recordando as palavras do enfermeiro Pena, que enrolou as ligaduras à volta dos tomates do rapaz, deu o seu palpite:&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;- Se o Pena deixou a pichota do Carmo fora das ligaduras é porque a coisa ainda funciona; o que é bom para a saúde mental do moço. A malta deve animá-lo; se é grande a dor do ferimento, quanto mais não será o desgosto de saber que lhe romperam o saco dos colhões – um autêntico desastre!&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;O pelotão do alferes Oliveira contornou o morro, à procura de indícios dos terroristas. A mais de duzentos metros da encosta, descobriram um esconderijo com água e alimentos guardados. Fizeram de conta... seguindo morro acima, até à segunda surpresa do dia: uma gruta com pouco mais de um metro de altura na entrada... donde saíam sons sibilantes de palavras. O sargento Pereira fez sinal de silêncio e recuou. Dispôs o pessoal de um só lado da gruta, prontos a disparar contra qualquer bandido. Os homens das outras secções afastaram-se do campo de tiro e tomaram a posição deitados. O alferes puxou a cavilha à granada que atirou para dentro da gruta... seguiu-se uma explosão abafada e uma nuvem de fumo espalhou-se morro acima. Poucos minutos após, cinco negros vestidos de caqui saíram disparados como um vendaval. As balas de raiva soltaram-se das armas e dizimaram os bandidos que tombaram morro abaixo. Com os olhos vidrados, a lacrimejar, ali ficaram estendidos à mercê das hienas...&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;span style="font-size: medium;"&gt;As tentativas para entrar na gruta saíram frustradas, porque o fumo não permitia ver os contornos do esconderijo. Antes de ser armadilhada a entrada da gruta, o sargento Ferraz atirou mais uma granada bem para o fundo, na tentativa de destruir quaisquer armas que os bandidos tivessem deixado!»&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;em&gt;&lt;/em&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;em&gt;&lt;span style="font-size: medium;"&gt;João Rego&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;
&lt;p style="text-align: justify;"&gt; &lt;/p&gt;</content>
  </entry>
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